“There's no present left. This is the problem for a novelist. [The problem] is the present is gone. We're all living in the future constantly . . . Back in the day Leo Tolstoy -- what a sweetheart of a count and of a writer -- in the 1860's he wanted to write about the Napoleonic Campaign, about 1812. If you write about 1812 in 1860, a horse is still a horse. A carriage is still a carriage. Obviously, there are been some technological advancements, et cetera, but you don't have to worry about explaining the next killer [iPhone] app or the next Facebook because right now things are happening so quickly. ("Gary Shteyngart: Finding 'Love' In A Dismal Future", NPR interview, August 2, 2010)”

“There's no present left. This is the problem for a novelist. [The problem] is the present is gone. We're all living in the future constantly . . . Back in the day Leo Tolstoy -- what a sweetheart of a count and of a writer -- in the 1860's he wanted to write about the Napoleonic Campaign, about 1812. If you write about 1812 in 1860, a horse is still a horse. A carriage is still a carriage. Obviously, there are been some technological advancements, et cetera, but you don't have to worry about explaining the next killer [iPhone] app or the next Facebook because right now things are happening so quickly. ("Gary Shteyngart: Finding 'Love' In A Dismal Future", NPR interview, August 2, 2010)”

“There's no present left. This is the problem for a novelist. [The problem] is the present is gone. We're all living in the future constantly . . . Back in the day Leo Tolstoy -- what a sweetheart of a count and of a writer -- in the 1860's he wanted to write about the Napoleonic Campaign, about 1812. If you write about 1812 in 1860, a horse is still a horse. A carriage is still a carriage. Obviously, there are been some technological advancements, et cetera, but you don't have to worry about explaining the next killer [iPhone] app or the next Facebook because right now things are happening so quickly. ("Gary Shteyngart: Finding 'Love' In A Dismal Future", NPR interview, August 2, 2010)”

“All love is socioeconomic. It’s the gradients in status that make arousal possible.”

“The best thing about the iPhone is this that tells me where I am all the time. There's never a need to feel lost anymore.”

“Without humor, I cannot go on and I doubt many of my readers would go on either. Humor is so important. I am here to have fun here with my work.”

“The novel was set in an unspecified near future, because setting a novel in the present in a time of unprecedented technological and social dislocation seemed to me shortsighted.... To write a book set in the present, circa 2013, is to write about the distant past.”

“Reading is entering into the consciousness of another human being.”

“These are all good things, I said. But no one knows where your country is or who you are. You don't have a familiar ethnic cuisine; your diaspora , from what I understand, is mostly in Southern California, three time zones removed from the national media in New York; and you don't have a recognizable, long-simmering conflict like the one between the Israelis and the Palestinians, where people in the richer nations can take sides and argue over at the dinner table. The best you can do is get the United Nations involved, as in East Timor. Maybe they'll send troops.""We don't want the United Nations" Mr. Nanabragov said. "We don't want Sri Lankan troops patrolling our streets. We're better tan that. We want America.”

“You are not what you want. You are what wants you back.”

“Maybe this is who I really am.Not a loner, exactly.But someone who can be alone.”

“After all, this is America, and you can swap out the parts of yourself that don't work. You can rebuild yourself piece by piece.”