“These (Shakespeare, Milton, and Victor Hugo) not only knit and knot the logical texture of the style with all the dexterity and strength of prose; they not only fill up the pattern of the verse with infinite variety and sober wit; but they give us, besides, a rare and special pleasure, by the art, comparable to that of counterpoint, with which they follow at the same time, and now contrast, and now combine, the double pattern of the texture and the verse.  Here the sounding line concludes; a little further on, the well-knit sentence; and yet a little further, and both will reach their solution on the same ringing syllable.  The best that can be offered by the best writer of prose is to show us the development of the idea and the stylistic pattern proceed hand in hand, sometimes by an obvious and triumphant effort, sometimes with a great air of ease and nature.  The writer of verse, by virtue of conquering another difficulty, delights us with a new series of triumphs.  He follows three purposes where his rival followed only two; and the change is of precisely the same nature as that from melody to harmony.-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE”

“These (Shakespeare, Milton, and Victor Hugo) not only knit and knot the logical texture of the style with all the dexterity and strength of prose; they not only fill up the pattern of the verse with infinite variety and sober wit; but they give us, besides, a rare and special pleasure, by the art, comparable to that of counterpoint, with which they follow at the same time, and now contrast, and now combine, the double pattern of the texture and the verse.  Here the sounding line concludes; a little further on, the well-knit sentence; and yet a little further, and both will reach their solution on the same ringing syllable.  The best that can be offered by the best writer of prose is to show us the development of the idea and the stylistic pattern proceed hand in hand, sometimes by an obvious and triumphant effort, sometimes with a great air of ease and nature.  The writer of verse, by virtue of conquering another difficulty, delights us with a new series of triumphs.  He follows three purposes where his rival followed only two; and the change is of precisely the same nature as that from melody to harmony.-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE”

“I really learned how to write from Robert Louis Stevenson, Anthony Trollope, and de Maupassant.”

“I kept always two books in my pocket, one to read, one to write in. As I walked, my mind was busy fitting what I saw with appropriate words; when I sat by the roadside, I would either read or a pencil and a penny version-book would be in my hand, to note the features of the scene or commemorate some halting stanzas. Thus I lived with words.”

“I kept always two books in my pocket, one to read, one to write in.”

“There are no foreign lands. It is the traveler only who is foreign.”

“Alan," cried I, "what makes ye so good to me? What makes ye care for such a thankless fellow?"Deed, and I don't, know" said Alan. "For just precisely what I thought I liked about ye, was that ye never quarrelled:—and now I like ye better!”

“Compromise is the best and cheapest lawyer.”

“There is no progress whatever. Everything is just the same as it was thousands, and tens of thousands, of years ago. The outward form changes. The essence does not change.”

“That man is a success who has lived well, laughed often and loved much.”

“Absences are a good influence in love and keep it bright and delicate.”

“Most of our pocket wisdom is conceived for the use of mediocre people, to discourage them from ambitious attempts, and generally console them in their mediocrity.”