“These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything.”

“These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything.”

“My father always taught by telling stories about his experiences. His lessons were about morality and art and what insects and birds and human beings had in common. He told me what it meant to be a man and to be a Black man. He taught me about love and responsibility, about beauty, and how to make gumbo.”

“He made me question what was, when for a whole lifetime up till that moment, I accepted the world’s excuses.”

“Science fiction [is] the kind of writing that prepares us for the necessary mutations brought about in society from an ever changing technological world and as a result. The mainstream hasn’t excluded SF; the mainstream has excluded itself. No one told Jules Verne he was a science fiction writer, but he invented the 20th century.”

“We will be one step down from the Creator," she said, her olive-hued face tightening into an expression that she considered dramatic. "Imagining a world and then making it.”

“I destroyed that doll, hoping the sacrifice would somehow reverse time and bring my father back. I was a mad scientist and an angry child.”

“You know, one of the interesting things you find about writing fiction is that any fiction you write has to be political. Otherwise, it goes into the realm of fantasy. So like, if you write about a woman in America in 1910, if you don’t write that she can’t really control her property, that she can’t—doesn’t have any say over her children, that she can’t vote—if you don’t put that in it, then it’s a fantasy. Like, well, how is her life informed? That’s true about everybody. If you write about black people, you write about white men, I mean, it has to be political. A lot of people don’t realize that, it seems.”

“I've always loved science fiction. I think the smartest writers are science fiction writers dealing with major things.” – Associated Press interview, 12-7-11”

“The job of the writer is to take a close and uncomfortable look at the world they inhabit, the world we all inhabit, and the job of the novel is to make the corpse stink.”

“If you want to be a writer, you have to write every day... You don't go to a well once but daily. You don't skip a child's breakfast or forget to wake up in the morning...”

“The first thing you have to know about writing is that it is something you must do everyday. There are two reasons for this rule: Getting the work done and connecting with your unconscious mind.”