“Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like.”

“Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like.”

“Why, what is it, how can flesh and blood come up with such stuff, how can flesh feel it. My lord life is strange. How is that Meaning comes to be? How? How does life cast it up, shape it, exude it; how does Meaning come to have physical, tangible effects, to be felt with a shock, to cause grief or longing, come to be sought for like food; pure Meaning having nothing to do with the clothes of persons or events in which it is dressed and yet not ever divorceable from some set of such clothes?”

“Almost as soon as it was lit it began to sound as though it were running down, but in fact it would continue to run down for a long time. He knew the feeling.”

“I could be listening to Painted Red weave the stories of the saints in her rich roomy voice, and beginning to see how all those stories were in some way one story: a simple story about being alive, and being a man; a story that, simple as it was, couldn't itself be told.”

“The better you tell an old story, the more you are talking about right now.”

“She had always lived her best life in dreams. She knew no greater pleasure than that moment of passage into the other place, when her limbs grew warm and heavy and the sparkling darkness behind her lids became ordered and doors opened; when conscious thought grew owl's wings and talons and became other than conscious.”

“Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like.”

“Better to light one candle than to curse the darkness.”

“There was after all no mystery in the end of love, no mystery but the mystery of love itself, which was large certainly but as real as grass, as natural and unaccountable as bloom and branch and their growth.”

“Learning to decipher words had only added to the pleasures of holding spines and turning pages, measuring the journey to the end with a thumb-riffle, poring over frontispieces. Books! Opening with a crackle of old glue, releasing perfume; closing with a solid thump.”

“God, he thought, her eyes are so bright, flashing, deep, full of promise, all those things eyes are in books but never are in life, and she was his.”