“Today is the future of yesterday.Today is the foundation of tomorrow.Today is going to be the past of future.”
Bina“Today is the future of yesterday.Today is the foundation of tomorrow.Today is going to be the past of future.”
Bina“Bina, thank you. Bina, listen, this guy. His name wasn't Lasker. This guy-'She puts a hand to his mouth. She has not touched him in three years. It probably would be too much to say that he feels the darkness lift at the touch of her fingertips against his lips. But it shivers, and light bleeds in among the cracks.”
Michael Chabon, The Yiddish Policemen's Union“But there is no Messiah of Sitka. Landsman has no home, no future, no fate but Bina. The land that he and she were promised was bounded only by the fringes of their wedding canopy, by the dog-eared corners of their cards of membership in an international fraternity whose members carry their patrimony in a tote bag, their world on the tip of the tongue.”
Michael Chabon, The Yiddish Policemen's Union“J Abrams was driving off into the big stupid vermilion sky, and even though the color had been my favorite, I was sure that from now on, every time I looked at it I would feel nothing but sadness.”
Natalie Bina, Vermilion Departure“I don't even like the word ‘indoors’. It doesn’t make sense. According to you right now, by stepping through the doorway I’d be indoors. Yet I wouldn’t actually be standing in the doorway. If it’s supposed to refer to being inside a building, then they shouldn’t have used the word ‘door,’ since last time I checked, doors don’t make up every square inch of a building! And I’d assume that now, since I’m not indoors, you’d say I’m ‘out of doors’, right? But, shouldn’t out of doors just be everywhere that’s not directly under a door? You know what, from now on I insist that everyone refer to being in a building as being ‘under-roof’.”
Natalie Bina, Vermilion Departure“You can’t say ‘Oh my stars.’ ‘Oh my stars’ is not a thing, and it makes no sense. The whole point of that saying is that you’re calling out to someone for help, and stars are not ‘someone,’ and certainly not capable of helping.” The words were out and gone before I realized what was happening. Grace just stared back at me, and I wanted so badly to shake the girl and make her realize that life couldn’t be all overalls and pink rain boots and guardian stars. I wanted to make her realize that sometimes you had to work.”
Natalie Bina, Never Trust a Happy Song