Antihero Quotes

“A Jewish woman in exile in the 1930s is an antihero.”

“Oftentimes in reality, the genius is in the position of the antihero. Neither the good guys nor the bad guys really trust him because his truth is universal.”

“A theme that has always interested me is how women express anger, how women express violence. That is very much part of who women are, and it's so unaddressed. A vast amount of literature deals with cycles of violence about men, antiheroes. Women lack that vocabulary.”

“Outcasts, callused from being in exile for too long, learn to thrive on being the hated; the attention and infamy of our actions fuel us to become antiheroes. Too often do we forget: we risk self-destruction if we fail to follow what we know is right; our talents too often become misplaced, misdirected, misguided from what could have been something wonderful.”

“This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony.This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.”

“Chaos and ancient Night, I come no spy,With purpose to explore or to disturbThe secrets of your realm, but by constraint Wand'Ring this darksome desert, as my wayLies through your spacious empire up to light,Alone, and without guide, half lost, I seekWhat readiest path leads where your gloomy bounds Confine with Heav'n; or if som other place From your Dominion won, th' Ethereal King Possesses lately, thither to arriveI travel this profound, direct my course; Directed no mean recompence it brings To your behoof, if I that Region lost, All usurpation then expelled, reduce To her original darkness and your sway (Which is my present journey) and once moreErect the Standard there of ancient Night; Yours be th' advantage all, mine the revenge.970-987”

“We may think of ourselves as static anti-heroes, but in reality we're dynamic protagonists just waiting for our courage to kick in.”

“I'm often painted as the bad guy, and the artistic part of me wants to hand out the brush.”

“The theistic philosopher has a tendency to devalue insufficient worldviews, ideologies, and quite often common sense for the greater good, and in such cases, one should not be discouraged when seen as a bad guy. If he stresses over man's perception of a righteous heart, then he has given his heart to man.”