Enjoy the best quotes on Brambles , Explore, save & share top quotes on Brambles .
“What are the thorns really telling her? It's why she won't let us see them, why she clings to them--or they cling to her--as though she got herself buried in a bramble thicket and she can't get out and we can't get in to free her.”
Patricia A. McKillip“I never realized that there was history close at hand beside my very own home. I did not realize that the old grave that stood among the brambles at the foot of our farm was history.”
Stephen Leacock“The artist one day falls through a hole in the brambles, and from that moment he is following the dark rapids of an underground river which may sometimes flow so near to the surface that the laughing picnic parties are heard above.”
Cyril Connolly“The composition of Shakespeare is a forest, in which oaks extend in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelting to myrtles and to roses; filling the eye with awful pomp, and gratifying the mind with endless diversity.”
Samuel Johnson, Samuel Johnson on Shakespeare“ Once upon a time, there was a little creature that was rather small and rather wicked and it lived all alone in the woods. The little creature lived in a little den, at the bottom of a little ravine, filled with not-at-all little brambles and on the edge of a forest that could only be described as really freakin' huge.”
Ursula Vernon“She ran as the first maples started to change color, then the oak.She jumped over roots, she sidestepped brambles, her footfalls echoing off plank bridges traversing streams.She was the first person at practice. The last to go home.She ran for speed. She ran for distance. She stretched carefully first thing in the morning and last thing before bed.”
C.D. Bell, Weregirl“When they had hurried to the train station with their violin cases, they had drawn almost as many stares as they would on any normal day when their hair was to their knees and sheeting behind them like red silk. A poetic fruit-seller had told them once that they looked like dryads, and they did still, only now they looked like dryads who had tired of snagging their hair on brambles and sliced it all off on the edge of a knife.”
Laini Taylor, Lips Touch: Three Times“I looked up at the ivory towers above us all. Nowhere else equals the feral design of this city. Tall skyscrapers that act as gorges hollowing out between flat cement dancing into narrow alleyways like bottomless pits. Building walls rusted the color of blood. Sometimes when you look down the horizon from afar the city looks wider than it is, like a thin field of magical lights gleaming with the hopes of children and idealists; a light on at midnight in one of the penthouses or the changing hues of the Empire State Building. Most of the time though, the city is covered with a layer of honking cars and greed, sirens and the war cry of solicitors, all full of brambles and impenetrable conscience; garbage, steaming manholes, and heat waves twirling smog and pollution through your lungs like mirages as you walk breathlessly through a boiling desert.”
Bruce Crown, How Dim the Promised Land“In the park which surrounded our house were the ruins of the former mansion of Brentwood, a much smaller and less important house than the solid Georgian edifice which we inhabited. The ruins were picturesque, however, and gave importance to the place. Even we, who were but temporary tenants, felt a vague pride in them, as if they somehow reflected a certain consequence upon ourselves. The old building had the remains of a tower, an indistinguishable mass of mason-work, overgrown with ivy, and the shells of walls attached to this were half filled up with soil. I had never examined it closely, I am ashamed to say. There was a large room, or what had been a large room, with the lower part of the windows still existing, on the principal floor, and underneath other windows, which were perfect, though half filled up with fallen soil, and waving with a wild growth of brambles and chance growths of all kinds. This was the oldest part of all. At a little distance were some very commonplace and disjointed fragments of the building, one of them suggesting a certain pathos by its very commonness and the complete wreck which it showed. This was the end of a low gable, a bit of grey wall, all encrusted with lichens, in which was a common doorway. Probably it had been a servants' entrance, a backdoor, or opening into what are called "the offices" in Scotland. No offices remained to be entered-pantry and kitchen had all been swept out of being; but there stood the doorway open and vacant, free to all the winds, to the rabbits, and every wild creature. It struck my eye, the first time I went to Brentwood, like a melancholy comment upon a life that was over. A door that led to nothing - closed once perhaps with anxious care, bolted and guarded, now void of any meaning. It impressed me, I remember, from the first; so perhaps it may be said that my mind was prepared to attach to it an importance, which nothing justified. ("The Open Door")”
Mrs. Oliphant, The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies“For hearts gone by in times past, unassuming, with not even a glance. In another lifetime, perhaps”
Ernesto Mora, A Walk Among the Black Brambles