What are the thorns really telling her? It's why she won't let us see them, why she clings to them--or they cling to her--as though she got herself buried in a bramble thicket and she can't get out and we can't get in to free her.

What are the thorns really telling her? It's why she won't let us see them, why she clings to them--or they cling to her--as though she got herself buried in a bramble thicket and she can't get out and we can't get in to free her.

Patricia A. McKillip
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Epics are never written about libraries. They exist on whim it depends on if the conquering army likes to read.

Patricia A. McKillip
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Those who fear the imagination condemn it: something childish, they say, something monsterish, misbegotten. Not all of us dream awake. But those of us who do have no choice.

Patricia A. McKillip
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Once I used my powers. Now I feel like a dancing instructor, reminding the queen whom she is dancing with at this hour and with which foot she should begin.''Be thankful,' Gavin advised with a laugh, 'that so far the music is still being played and everyone is trying to dance in harmony.

Patricia A. McKillip, Alphabet of Thorn
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I don't teach lies, but I do not teach all I know is true.

Patricia A. McKillip, Od Magic
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But you must stop playing among his ghosts -- it's stupid and dangerous and completely pointless. He's trying to lay them to rest here, not stir them up, and you seem eager to drag out all the sad old bones of his history and make them dance again. It's not nice, and it's not fair.

Patricia A. McKillip, Winter Rose
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That's the beginning of magic. Let your imagination run and follow it.

Patricia A. McKillip, Alphabet of Thorn
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What are the thorns really telling her? It's why she won't let us see them, why she clings to them--or they cling to her--as though she got herself buried in a bramble thicket and she can't get out and we can't get in to free her.

Patricia A. McKillip, Alphabet of Thorn
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Words, he decided, were inadequate at best, impossible at worst. They meant too many things. Or they meant nothing at all.

Patricia A. McKillip, In the Forests of Serre
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Faey lived, for those who knew how to find her, within Ombria's past. Parts of the city's past lay within time's reach, beneath the streets in great old limestone tunnels: the hovels and mansions and sunken river that Ombria shrugged off like a forgotten skin, and buried beneath itself through the centuries.

Patricia A. McKillip, Ombria in Shadow
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I did not want to think about people. I wanted the trees, the scents and colors, the shifting shadows of the wood, which spoke a language I understood. I wished I could simply disappear in it, live like a bird or a fox through the winter, and leave the things I had glimpsed to resolve themselves without me.

Patricia A. McKillip, Winter Rose
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