Characters Quotes

“Films, truths!Question 1How you get sad in movie?Mainly the music makes you sad if something happens and there isn't music... there isn't and sadness.Question 2How do you get in best level scared?- It's need silence... footsteps... silence... silence and then from nowhere something to came out.Question 3How do you make people to love the characters?- People like all kinds of characters, but to love them they should hear not what they want but what they won't expect, a character based on their problems and experience...”

“Films, truths!Question 1How you get sad in movie?Mainly the music makes you sad if something happens and there isn't music... there isn't and sadness.Question 2How do you get in best level scared?- It's need silence... footsteps... silence... silence and then from nowhere something to came out.Question 3How do you make people to love the characters?- People like all kinds of characters, but to love them they should hear not what they want but what they won't expect, a character based on their problems and experience...”

“The Dark Knight 2008, favourite character Joker always in the right face and showing all humans in one character. A character died from characters!”

“In a science fiction novel, the world is a character, and often the most important character.In a mainstream novel, the world is implicitly our world, and the characters are the world.”

“I don't only act out of my character; my character reacts to my actions. Each time I why, even if I'm not caught, I become a little bit more of this ugly thing: a liar. Character is always in the making, with each morally valenced action, whether right or wrong, affecting our characters, the people who we are.”

“My characters will happily march off a cliff if it is in them to do so, but may the gods help me if I write that the character is an alcoholic when they are not. They will fight me at every turn and it is their domain. A writer cannot win against a stubborn character.”

“I write about scoundrels; my specialty is generally scoundrels. If somebody's done a bad thing, I just talk about it. I don't prettify it or anything. My characters, a lot of them are disgusting — what they've done in the past. Somebody described them once as "last-ditch attempts at justification." And sometimes that's what my characters or my personae are doing: they're saying, "Yes, I did this and that thing, and perhaps it was evil. It was bad — maybe it wasn't even evil — but this is why I did it. You don't know the circumstances surrounding it." And this is the telling; they're almost retelling what happened from their point of view .... I use "bad words" whenever I feel the need, you know, I just put 'em in there — if it's true to my character. I always like to think that I'm doing things that are true to my charcter. And I hope that, when I'm dealing with violence, for example, that it's not gratuitous, that it's coming out of character that requires that .... I usually start with character, rather than a concept or an idea. If I do want to deal with an idea, I must create a character, in order to work from there, from that angle.”

“I like looking at the characters. Seeing them always brings up some voice or attitude. I am much more visual, and that works so much better than having someone tell me what the character is all about.”

“Good character isn't produced overnight; it's grown over many seasons. In the same way you sort the good apples from the bad, the marks of poor characters are just as easy to detect.”

“It was not my intention - it never was - to invent a character who should speak for me, the author, in person. A character is in a story to fill a role there, and the character's life along with its expression of life is defined by that surrounding - indeed is created by its own story. Yet, it seems to me now, years after I wrote The Golden Apples, that I did bring forth a character with whom I came to feel oddly in touch. She derived from what I already knew for myself, even felt I had always known. What I have put into her is my passion for my own life work, my own art. Exposing yourself to risk is a truth that Mrs. Eckhart and I had in common. What animates and possesses me is what drives Mrs. Eckhart, the love of her art and the love of giving it, the desire to give it until there is no more left. Of course any writer is in part all of his characters. How otherwise would they be known to him, occur to him, become what they are? In the making of her character out of my most inward and most deeply felt self, I would say I have found my voice in my own fiction.”

“Writers don't kill characters. Characters kill characters.”