“I write about scoundrels; my specialty is generally scoundrels. If somebody's done a bad thing, I just talk about it. I don't prettify it or anything. My characters, a lot of them are disgusting — what they've done in the past. Somebody described them once as "last-ditch attempts at justification." And sometimes that's what my characters or my personae are doing: they're saying, "Yes, I did this and that thing, and perhaps it was evil. It was bad — maybe it wasn't even evil — but this is why I did it. You don't know the circumstances surrounding it." And this is the telling; they're almost retelling what happened from their point of view .... I use "bad words" whenever I feel the need, you know, I just put 'em in there — if it's true to my character. I always like to think that I'm doing things that are true to my charcter. And I hope that, when I'm dealing with violence, for example, that it's not gratuitous, that it's coming out of character that requires that .... I usually start with character, rather than a concept or an idea. If I do want to deal with an idea, I must create a character, in order to work from there, from that angle.”

“A plate of roast duck, steamed dumplings, spicy noodles with beef gravy, pickled cucumbers, stewed tongue and eggs if you have them, cold please, and sticky rice pearls, too,' Ai Ling said, before the server girl could open her mouth. "I don't know what he wants." Ai Ling nodded toward Chen Yong.'I'm not sure I have enough coins to order anything more,' he said, laughing.”

“AI might be a powerful technology, but things won't get better simply by adding AI.”

“The AI does not hate you, nor does it love you, but you are made out of atoms which it can use for something else.”

“I, who was empty… I made myself believe that I could only fill it.. by falling in love… at that time to me.. in this world around you, Nana... Everything was so shiny that I was blinded. That doesn’t mean that anyone would suit me… I just wanted to be in the same light as you.”

“I write about scoundrels; my specialty is generally scoundrels. If somebody's done a bad thing, I just talk about it. I don't prettify it or anything. My characters, a lot of them are disgusting — what they've done in the past. Somebody described them once as "last-ditch attempts at justification." And sometimes that's what my characters or my personae are doing: they're saying, "Yes, I did this and that thing, and perhaps it was evil. It was bad — maybe it wasn't even evil — but this is why I did it. You don't know the circumstances surrounding it." And this is the telling; they're almost retelling what happened from their point of view .... I use "bad words" whenever I feel the need, you know, I just put 'em in there — if it's true to my character. I always like to think that I'm doing things that are true to my charcter. And I hope that, when I'm dealing with violence, for example, that it's not gratuitous, that it's coming out of character that requires that .... I usually start with character, rather than a concept or an idea. If I do want to deal with an idea, I must create a character, in order to work from there, from that angle.”

“Sometimes it seems as though each new step towards AI, rather than producing something which everyone agrees is real intelligence, merely reveals what real intelligence is not. ”

“Thus, in moments of catastrophe, when hard decisions needed to be made quickly, all AIs included in their calculations a human death toll governed by a factor called ‘pigheadedness’.”

“You realize that there is no free will in what we create with AI. Everything functions within rules andparameters”

“Most frequently asked question at my AI talks: Will robots be conscious? We slaughter 60 billion animals/year, but are concerned for robots?”

“Je ne laissa entrer que le plaisair, oui, j’ai cette capacité-là, moi, de filtrer ce qui m’arrive, de choisir, j’ai choisi de ne pas être triste.”