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I write about scoundrels; my specialty is generally scoundrels. If somebody's done a bad thing, I just talk about it. I don't prettify it or anything. My characters, a lot of them are disgusting — what they've done in the past. Somebody described them once as "last-ditch attempts at justification." And sometimes that's what my characters or my personae are doing: they're saying, "Yes, I did this and that thing, and perhaps it was evil. It was bad — maybe it wasn't even evil — but this is why I did it. You don't know the circumstances surrounding it." And this is the telling; they're almost retelling what happened from their point of view .... I use "bad words" whenever I feel the need, you know, I just put 'em in there — if it's true to my character. I always like to think that I'm doing things that are true to my charcter. And I hope that, when I'm dealing with violence, for example, that it's not gratuitous, that it's coming out of character that requires that .... I usually start with character, rather than a concept or an idea. If I do want to deal with an idea, I must create a character, in order to work from there, from that angle.

Ai
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I write about scoundrels; my specialty is generally scoundrels. If somebody's done a bad thing, I just talk about it. I don't prettify it or anything. My characters, a lot of them are disgusting — what they've done in the past. Somebody described them once as "last-ditch attempts at justification." And sometimes that's what my characters or my personae are doing: they're saying, "Yes, I did this and that thing, and perhaps it was evil. It was bad — maybe it wasn't even evil — but this is why I did it. You don't know the circumstances surrounding it." And this is the telling; they're almost retelling what happened from their point of view .... I use "bad words" whenever I feel the need, you know, I just put 'em in there — if it's true to my character. I always like to think that I'm doing things that are true to my charcter. And I hope that, when I'm dealing with violence, for example, that it's not gratuitous, that it's coming out of character that requires that .... I usually start with character, rather than a concept or an idea. If I do want to deal with an idea, I must create a character, in order to work from there, from that angle.

Ai
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When shrouded meanings and grim intentions are nicely polished up and pokerfaced personae are generously palming off their fantasy constructs, caution is the watchword, since rimpling water on the well of truth swiftly obscures our vision and perception. ("Trompe le pied.")

Erik Pevernagie
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Destiny stands by sarcastic with our dramatis personae folded in her hand.

George Eliot, Middlemarch
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In our tribunal, we look only at personal criminal responsibility in a very tightly defined, narrow way and we demand proof beyond a resonable doubt about the involvement of the individual. We do no have a mandate to establish the moral responsibility of those who saw things happen and did nothing, including people who might have had the capacity to stop the process and did nothing. But we have to be careful in thinking that just because we focus on individual criminal guilt we therefore absolve the community. The old distinctions are too simplistic when we move up the chain of command and witness the merging of the collectivity into the personae of these charismatic political and military leaders.'-Louise Arbour, Chief Prosecutor for International Criminal Tribunal for the Former Yugoslavia

Erna Paris, Long Shadows: Truth, Lies and History
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According to Kant’s late work on the Principles of Politics (1793), the irreducible problem of the human species is the following: the human being is an animal and thus, to live peacefully with other animals of its kind, absolutely needs a master.

Gregg Lambert, Philosophy After Friendship: Deleuze's Conceptual Personae
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The Garden En robe de parade. - SamainLike a skein of loose silk blown against a wallShe walks by the railing of a path in Kensington Gardens,And she is dying piece-mealof a sort of emotional anaemia.And round about there is a rabbleOf the filthy, sturdy, unkillable infants of the very poor.They shall inherit the earth.In her is the end of breeding.Her boredom is exquisite and excessive.She would like some one to speak to her,And is almost afraid that I will commit that indiscretion.

Ezra Pound
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Fashion is only different skins for different flavours of you.

Lauren Beukes, Zoo City
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I don’t know what understanding myself is. I don’t look inside.I don’t believe I exist behind myself.

Alberto Caeiro, Selected Poems by Fernando Pessoa,: Including Poems by His Heteronyms: Alberto Caeiro, Ricardo Reis [And] Alvaro de Campos, as Well as Some of His Eng
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