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“The language of worldview tends to imply...that we can think ourselves into new ways of behaving. But that is not the way culture works. Culture helps us behave ourselves into new ways of thinking. The risk in thinking "worldviewishly" is that we will start to think that the best way to change culture is to analyze it. We will start worldview academies, host worldview seminars, write worldview books. These may have some real value if they help us understand the horizons that our culture shapes, but they cannot substitute for the creation of real cultural goods. And they will subtly tend to produce philosophers rather than plumbers, abstract thinkers instead of artists and artisans. They can create a cultural niche in which "worldview thinkers" are privileged while other kinds of culture makers are shunted aside.But culture is not changed simply by thinking.”
Andy Crouch“Culture is the celebration of diversity. Let us therefore not deny our origin; but instead celebrate ours as a cultural mosaic not a tower of Babel , but a power of Babel”
Ali A. Mazrui, Cultural Forces in World Politics“No one today is purely one thing. Labels like Indian, or woman, or Muslim, or American are not more than starting-points, which if followed into actual experience for only a moment are quickly left behind. Imperialism consolidated the mixture of cultures and identities on a global scale. But its worst and most paradoxical gift was to allow people to believe that they were only, mainly, exclusively, white, or Black, or Western, or Oriental. Yet just as human beings make their own history, they also make their cultures and ethnic identities. No one can deny the persisting continuities of long traditions, sustained habitations, national languages, and cultural geographies, but there seems no reason except fear and prejudice to keep insisting on their separation and distinctiveness, as if that was all human life was about. Survival in fact is about the connections between things; in Eliot’s phrase, reality cannot be deprived of the “other echoes [that] inhabit the garden.” It is more rewarding - and more difficult - to think concretely and sympathetically, contrapuntally, about others than only about “us.” But this also means not trying to rule others, not trying to classify them or put them in hierarchies, above all, not constantly reiterating how “our” culture or country is number one (or not number one, for that matter).”
Edward Said, Culture and Imperialism“Are we creating and cultivating things that have a chance of furnishing the New Jerusalem? Will the cultural goods we devote our lives to - the food we cook and consume; the music we purchase and practice; the movies we watch and make; the enterprises we earn our paychecks from and invest our wealth in - be identified as the glory and honor of our cultural tradition? Or will they be remembered as mediocrities at best, dead-ends at worst? This is not the same as asking whether we are making "christian" culture.”
Andy Crouch, Culture Making: Recovering Our Creative Calling“From now on, how one arrives at a definition of the relationship of man's basic nature to his culturally conditioned control systems (extensions) is of crucial importance. For in our shrinking globe man can ill afford cultural illiteracy.”
Edward T. Hall, Beyond Culture“Due to their soft bodies and ephemeral nature, it is unlikely that biological evidence of mushrooms will even be discovered in the archaeological record. This fact poses certain difficulties in determining the antiquity of modern cultural uses of psychoactive mushrooms, like those in Mexico and Siberia, and makes it even more difficult to determine whether psychoactive mushrooms were recognized and used by historical culture groups that are now extinct.”
John Rush, Entheogens and the Development of Culture: The Anthropology and Neurobiology of Ecstatic Experience“The path to the ethnic democratization of American society is through its culture, that is to say through its cultural apparatus, which comprises the eyes, the ears, and the "mind" of capitalism and is twentieth-century voice to the world. Thus to democratize the cultural apparatus is tantamount to revolutionizing American society itself into the living realization of its professed ideas. Seeing the problem in another way, to revolutionize the cultural apparatus is to deal fundamentally with the unsolved American question of nationality--Which group speaks for America and for the glorification of which ethnic image? Either all group images speak for themselves and for the nation, or American nationality will never be determined.”
Harold Cruse, The Crisis of the Negro Intellectual: A Historical Analysis of the Failure of Black Leadership“We are each a product of our biological endowments, culture, and personal history. Culture ideology and cultural events along with transmitted cultural practices influences each of us. We are each the product of our collective interchanges. Our county’s domestic and interlinked international conflicts fuse us together. We are each a molecule in the helix of human consciousness joined in a physical world. We form a coil of connective tissue soldered together by cultural links.”
Kilroy J. Oldster, Dead Toad Scrolls“In America, the materio-economic conditions relate to a societal, multi-group existence in a way never before know in world history. American Negro nationalism can never create its own values, find its revolutionary significance, define its political and economic goals, until Negro intellectuals take up the cudgels against the cultural imperialism practiced in all of its manifold ramifications on the Negro within American culture. But this kind of revolution would have to be predicated on the recognition that the cultural and artistic originality of the American nation is founded, historically, on the ingredients of a black aesthetic and artistic base.”
Harold Cruse, The Crisis of the Negro Intellectual: A Historical Analysis of the Failure of Black Leadership“Apparently, when conditions were right, peoples of all world regions were quite capable of transforming wild plants into domesticated crops—a good point to keep in mind when next you hear someone claim that some cultures (usually their own) are more inventive or creative than others.”
James Peoples, Humanity: An Introduction to Cultural Anthropology