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“how does she know it's the right room?' wondered Descant.Oh, I don't know; mabye it's the magical red glow coming from the doorway, or perhaps it's the deafening howl of the temporal winds.' said Mervall. Descant nodded.'You could be right, brother. And don't think I don't know sarcasm when I hear it.”
Eoin Colfer“Now came still evening on, and twilight grayHad in her sober livery all things clad;Silence accompany'd; for beast and bird,They to their grassy couch, these to their nests,Were slunk, all but the wakeful nightingale;She all night long her amorous descant sung;Silence was pleas'd. Now glow'd the firmamentWith living sapphires; Hesperus, that ledThe starry host, rode brightest, till the moon,Rising in clouded majesty, at lengthApparent queen unveil'd her peerless light,And o'er the dark her silver mantle threw.”
John Milton, Paradise Lost“The individual parts played by other instrumentalists-- crickets or earthworms, for instance-- may not have the sound of music by themselves, but we hear them out of context. If we could listen to them all at once, fully orchestrated, in their immense ensemble, we might become aware of the counterpoint, the balance of tones and timbres and harmonics, the sonorities. The recorded songs of the humpback whale, filled with tensions and resolutions, ambiguities and allusions, incomplete, can be listened to as a a part of music, like an isolated section of an orchestra. If we had better hearing, we could discern the descants of sea birds, the rhythmic tympani of schools of mollusks, or even the distant harmonies of midges hanging over meadows in the sun, the combined sound might lift us off our feet.”
Lewis Thomas, The Lives of a Cell: Notes of a Biology Watcher“The question haunted me, and the real answer came, as answers often do, not in the canyon but at an unlikely time and in an unexpected place, flying over the canyon at thirty thousand feet on my way to be a grandmother. My mind on other things, intending only to glance out, the exquisite smallness and delicacy of the river took me completely by surprise. In the hazy light of early morning, the canyon lay shrouded, the river flecked with glints of silver, reduced to a thin line of memory, blurred by a sudden realization that clouded my vision. The astonishing sense of connection with that river and canyon caught me completely unaware, and in a breath I understood the intense, protective loyalty so many people feel for the Colorado River in the Grand Canyon. It has to do with truth and beauty and love of this earth, the artifacts of a lifetime and the descant of a canyon wren at dawn.”
Ann Zwinger, Downcanyon: A Naturalist Explores the Colorado River through the Grand Canyon“Then as Anna listened another sound began to rise within the first. It began as a low keening, like the wind in a bottle tree, almost indiscernible amid the guns. Yet it was there, and it grew and grew, gaining strength and timbre until suddenly a new note broke away and was taken up: a high weird quavering like nothing that Anna had ever heard, that peopled the smoke with an army of mourning phantoms. Anna had heard the men talk of this, too—the uncanny demon cry of the Rebel army going into the attack—and now here it was for real, echoing across violence and death for the last time in a wild crescendo that seemed to peak and yet peak again: descanting blood, crying lost youth and the loss of all dreams. One last time it shrilled out of the rolling smoke, then collapsed all at once into a maelstrom of voices—the deep snarling utterance of thousands of men in hell.”
Howard Bahr, The Black Flower: A Novel of the Civil War“LoreleiIt is no night to drown in:A full moon, river lapsingBlack beneath bland mirror-sheen,The blue water-mists droppingScrim after scrim like fishnetsThough fishermen are sleeping,The massive castle turretsDoubling themselves in a glassAll stillness. Yet these shapes floatUp toward me, troubling the faceOf quiet. From the nadirThey rise, their limbs ponderousWith richness, hair heavierThan sculptured marble. They singOf a world more full and clearThan can be. Sisters, your songBears a burden too weightyFor the whorled ear's listeningHere, in a well-steered country,Under a balanced ruler.Deranging by harmonyBeyond the mundane order,Your voices lay siege. You lodgeOn the pitched reefs of nightmare,Promising sure harborage;By day, descant from bordersOf hebetude, from the ledgeAlso of high windows. WorseEven than your maddeningSong, your silence. At the sourceOf your ice-hearted calling-Drunkenness of the great depths.O river, I see driftingDeep in your flux of silverThose great goddesses of peace.Stone, stone, ferry me down there.”
Sylvia Plath