Dirt road Quotes

“Homeschooling allows you the freedom to step off the highway of learning and take a more scenic route along a dirt road.”

“My mother was always in the center of her own agitation, seeming as though, far away, part of her was being chased along a dirt road by a swarm of bees.”

“For reasons he couldn’t understand a sadness came over him and it was then he saw the girl standing on the other side of the dirt road, her eyes pools of absolute sorrow, her light brown hair glowing in the splinters of sunlight that forced their way through the trees.”

“Sometimes I find it difficult to determine whether or not I'm merely spinning my wheels or making progress. Nevertheless, I must keep moving on until I reach a destination. For I would much rather be in perpetual motion with the promise of reaching some place majestic beyond the horizon, rather than sitting idle alongside a dirt road watching time hurriedly pass me by.”

“Beyond a certain speed, motorized vehicles create remoteness which they alone can shrink. They create distances for all and shrink them for only a few. A new dirt road through the wilderness brings the city within view, but not within reach, of most Brazilian subsistence farmers. The new expressway expands Chicago, but it sucks those who are well-wheeled away from a downtown that decays into a ghetto.”

“The farmhouse sat on a rise at the end of a long dirt road, in a clearing surrounded by fruit trees and ninety acres of pines. It was painted white, and peeling, and some former hippie tenant had painted a mandala on the wall just inside the door with fine-point Magic Marker. I painted over it, but it bled through, again and again. I finally left it there, a pale and pastel version of itself, hanging ghostlike in the hall.”

“I wiped my hands on my apron and went to the window. Outside, the prairie reached out and touched the places where the sky came down. Though the winter was nearly over, there were patches of snow and ice everywhere. I looked at the long dirt road that crawled across the plains, remembering the morning that Mama had died, cruel and sunny. They had come for her in a wagon and taken her away to be buried. And then the cousins and aunts and uncles had come and tried to fill up the house. But they couldn’t.”

“Hence the detail which interests me is not, or at least is not strictly intentional, and probably must not be so; it occurs in the field of the photographed thing like a supplement that is at once inevitable and delightful; it does not necessarily attest to the photographer's art; it says only that the photographer was there, or else, still more simply, that he could not (i)not(i) photograph the partial object at the same time as the total object (how could Kerész have 'separated' the dirt road from the violinist walking on it?). The Photographer's 'second sight' does not consist in 'seeing' but in being there. And above all, imitating Orpheus, he must not turn back to look at what he is leading — what hi is giving to me!”

“I didn't know the demonsthat walked across your memory.They came from the dustwhen you were at peacein your grave.”