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At times you have to fight really hard to remember it. Fight within your mind’s dungeons and bring it out alive before it could have been killed and buried forever by the demons living deep down inside your mind’s dungeons.

Avijeet Das
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The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long.

John Darnielle, Wolf in White Van
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The deepest and darkest dungeons that we are ever flung into are the dungeons of the mind

rassool jibraeel snyman
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People either build a castle or a dungeon. The former by their virtues, pull people into positive edifices with gainful impression. The later by their vices, push people into negative huts with painful oppression.

Israelmore Ayivor, Leaders' Ladder
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Far over the misty mountains coldTo dungeons deep and caverns oldWe must away ere break of dayTo seek the pale enchanted gold.The dwarves of yore made mighty spells,While hammers fell like ringing bellsIn places deep, where dark things sleep,In hollow halls beneath the fells.For ancient king and elvish lordThere many a gleaming golden hoardThey shaped and wrought, and light they caughtTo hide in gems on hilt of sword.On silver necklaces they strungThe flowering stars, on crowns they hungThe dragon-fire, in twisted wireThey meshed the light of moon and sun.Far over the misty mountains coldTo dungeons deep and caverns oldWe must away, ere break of day,To claim our long-forgotten gold.Goblets they carved there for themselvesAnd harps of gold; where no man delvesThere lay they long, and many a songWas sung unheard by men or elves.The pines were roaring on the height,The wind was moaning in the night.The fire was red, it flaming spread;The trees like torches blazed with light.The bells were ringing in the daleAnd men looked up with faces pale;The dragon's ire more fierce than fireLaid low their towers and houses frail.The mountain smoked beneath the moon;The dwarves, they heard the tramp of doom.They fled their hall to dying fallBeneath his feet, beneath the moon.Far over the misty mountains grimTo dungeons deep and caverns dimWe must away, ere break of day,To win our harps and gold from him!

J.R.R. Tolkien, The Hobbit
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This exists. It can be seen. It can be touched. These in pace, these dungeons, these iron hinges, these necklets, that lofty peep-hole on a level with the river's current, that box of stone closed with a lid of granite like a tomb, with this difference, that the dead man here was a living being, that soil which is but mud, that vault hole, those oozing walls, --what declaimers!

Victor Hugo, Les Misérables
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Let us be greedy together; let us hoard. Let us hit each other with birch branches and lock each other in dungeons; let us drink each other's blood in the night and betray each other in the sun. Let us lie and lust and take hundreds of lovers; let us dance until snow melts between us. Let us steal and eat until we grow fat and roll in the pleasures of life, clutching each other for purchase.

Catherynne M. Valente, Deathless
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Emily’s world fascinates and disturbs: in it you can touch thick Yorkshire speech, and moorland rain slants across your mind with a smell of mossy limestone and yet you are not at home, you might almost be in Gondal or Angria except the towers and the dungeons are of the spirit, the dungeons especially; and sometimes when Emily reads out in her low, almost guttural voice Charlotte wants to run but can’t think why or where she would run to.

Jude Morgan, The Taste of Sorrow
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Formerly these harsh cells in which the discipline of the prison leaves the condemned to himself were composed of four stone walls, a ceiling of stone, a pavement of tiles, a camp bed, a grated air-hole, a double iron door, and were called "dungeons" ; but the dungeon has been thought too horrible; now it is composed ofan iron door, a grated air-hole, a camp bed, a pavement of tiles, a ceiling of stone, four stone walls, and it is called "punishment cell.

Victor Hugo
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There has never been upon the earth a generation of free men and women. It is not yet time to write a creed. Wait until the chains are broken—until dungeons are not regarded as temples. Wait until solemnity is not mistaken for wisdom—until mental cowardice ceases to be known as reverence. Wait until the living are considered the equals of the dead—until the cradle takes precedence of the coffin. Wait until what we know can be spoken without regard to what others may believe. Wait until teachers take the place of preachers—until followers become investigators. Wait until the world is free before you write a

Robert G. Ingersoll, The Liberty of Man, Woman and Child
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