“The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long.”

“The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long.”

“There are so many different kinds of ghosts.”

“I thought about the guy in the truck, the focus in his expression, and I felt like I already knew enough of the story to tell it to somebody else maybe better than either of its major players could.”

“To the left, just past the painting, on the other side of the hall, is the bathroom, the sort of open door that if cameras found it as they passed through the house in a horror movie would trigger a blast of synthesizers.”

“I was writing poetry, and the Mountain Goats was an outgrowth of that.”

“My father would tell me if I wasn't writing in meter verse, it wasn't poetry.”

“Metal isn't necessarily aggressive. There's metal that's contemplative, there's metal that's sad, and there's metal that's exuberant. No genre is limited in what it can express.”

“Most of my interests in terms of writing are dark, so it's discordant how much I try to lock into the vibe of wherever I'm at. Inhabiting the life of the imagination is the nature of survival strategy - you build yourself little worlds to enjoy.”

“I think 'The Sunset Tree' is really the album on which I really learned to trust other musicians, which is so important.”

“My feminism is what came squarely up against my faith. There's a lot of ecstatic post-patriarchal Christians who have stuff they do with that. But at that point, you're doing Christianity with a double-superscript. The Bible, and especially the book of Genesis, is pretty unapologetically patriarchal.”

“People like to say how much they like stuff, but with 'The Sunset Tree,' people shared stories about what it meant for them. And that stuff's so humbling and amazing.”