Funhouse Quotes

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That doesn't sound like my Margo", she said, and I thought of my Margo, and all of us looking at her reflection in different funhouse mirrors.

John Green
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That doesn't sound like my Margo", she said, and I thought of my Margo, and all of us looking at her reflection in different funhouse mirrors.

John Green, Paper Towns
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I think each family has a funhouse logic all its own, and in that distortion,in that delusion, all behavior can seem both perfectly normal and crazy.

Darin Strauss, Half a Life
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like many families, everyone wandered around like children in a funhouse—they could hardly see one another around the corners, and what they could see was completely distorted.

James Hannaham, Delicious Foods
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During the interim, no matter how much agony the man may feel, he also experiences excitement, the excitement of learning how to cope with a closed society that reflects free society as a funhouse mirror reflects the human form: everything is there, but distorted.

Edward Bunker, The Animal Factory
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I remember my brother as such a gentle and loving child, the best big brother a girl could hope for, but I remember when I started to sense our family's world tilting on its axis, the kaleidoscope turning, when things started to go wrong. From then on, it was like we were still ourselves, but our lives played out as though reflected back to us from a funhouse mirror.

Jessica Warman, Breathless
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He walked steadily, feeling them behind him. His stride did not falter; he pretended they weren’t there. He pretended that all was well—that those hideous things knew nothing about what he had done earlier in the night. But each pumpkin he passed nearly leapt off its porch or railing or wooden chair, expanded and morphed and throbbed as if in a funhouse mirror, and joined the procession behind him. The wind picked up, suddenly and fiercely, and construction paper decorations adorning the houses that surrounded him flapped helplessly against their doors and windows. The man ducked against the cold wind, and from the pursuing army of the jack-o’-lanterns behind him. Cardboard skeletons with fastener joints and witches with shredded yarn hair and ghosts with cotton ball sheets and black crayon eyes escaped their thumbtacks and scotch tape and newspaper twine and they flashed and danced in his face. He brushed at them desperately with his hands, attempting to tear a hole through them and escape.

J. Tonzelli, The End of Summer: Thirteen Tales of Halloween
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If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.They're right. It does.However much you beg it to stop.It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life...All trying not to think about what's waiting at the bottom.Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.Intoxicated by the motion we forget all the risks.And then the world turns...And somebody falls off...And oh God it's such a long way down.Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller...Receding in our memories until they're no longer visible.We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.Trying to measure how far we have to fall.No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives...Wrapping ourselves in comforting banalities to keep us warm against the cold."Time's a great healer.""At least it was quick.""The world keeps turning."Oh Alec—Alec's dead.

Alan Moore, Swamp Thing, Vol. 5: Earth to Earth
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people still fall in love, and out, yes, in and out, and out and in, and they please each other, and hurt each other, isn't that the truth, and they do these things in more or less conventionally dramatic fashion, unfashionable or not, go on, I'm going, and what goes on between them is still not only the most interesting but the most important thing in the bloody murderous world

John Barth, Lost in the Funhouse
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Unhappily, things get clearer as we go along. I perceive that I have no body. What's less, I've been speaking of myself without delight or alternative as self-consciousness pure and sour; I declare now that even that isn't true. I'm not aware of myself at all, as far as I know. I don't think. . . I know what I'm talking about.

John Barth, Lost in the Funhouse
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A ten-year-old Amanda wandering around the sights and sounds of a carnival. Trying to take it all in as such an event was much larger than the backroads of isolated territory from whence she grew up. She could not imagine this many people assembled in one place. It was made more disturbing by the fact none of them seemed familiar. Short for her age, she wandered unnoticed among the crowds and began to feel the first stirrings of fear. The loud talk, the screaming children, the long lines of procession, along with the myriads of odors created a miasma that she wanted to flee. The laughter and the faux expressions of joy on the faces of people, took on the maroon tones of a nightmare. She could imagine underneath the laughter, were horrid screams about to erupt.

Jaime Allison Parker, River at the World's Dawn
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