Gnosis Quotes

“Knowledge is a sacred gem that must be conquered,wielded and empowered. To access such gnosis is not a right,but a privilege of the evolved.”

“We are people-trees. Our roots are hidden in Earth .The branches spread out on Heavens.The fruits are our energy.Two different energies: The positive and negative ones.The balance of both carries the progress.Article by Author Katerina Kostaki :The Tree of Gnosis in the Garden of Eden”

“Bass players share a secret fellowship, a sort of gnosis peculiar to their breed, a kind of smart that is hard for others to recognize or understand: the art of the whole sound. Bass players actually believe in musical epistemology, they are practitioners of musical metaphysics.”

“I wanted to think of what could not be thought except in intersections; I wanted to satiate my fiendishness in a neutering gnosis. I wanted to see the first chimp paint it’s own likeness in a limbo state of gravitating iconostasis, flanked by altar candles and decked in a dark green Zuchetto upon which stars would genuflect in a prism without manacles, unrivaled by the boring, mundane phenomenon of space's black canopy loved by the plebeians.”

“My definition of TheologyMy proverb of theology is a doctrine study of overall foundation of biblical notions, transcendence, an scriptures relativist, researcher and conservative of the Word of God with sensible and measured pursuit of infinite growth, a marriage of the spiritual knowledge (Gnosis), and unutterable love for the faith in constant pursuits and mission for truths with devoutness to prowess faith and love from faith’s vocation and noetic that’s flamed within that gives us the calling (vocation) of theologian. For theology pursues and endless journey of the Lord’s knowledge while maintaining the faith and is the strength hold of creed that manifest purpose, ontology and guardianship of the soul and wisdom, in a relation, a sound mind for divinity. . .”

“The archetypal image of the redeemer serpent is certainly placed here in opposition to the serpents of evil that battle with it. But why do they both have the same form if there is only oppositIOn between them? What does it mean that they both dwell in the same place, the depth of the great abyss? Are they not possibly two aspects of the same thing?We know this image of the redeemer serpent not only from Gnosis and from the Sabbataian myth, but we know of the same serpent rising from below, redeeming and to be redeemed, as the Kundalini serpent in India, and finally from alchemy as the serpens Mercurii, the ambiguous serpent whose significance was first made clear to us by Jung's researches.Since Jung's work on alchemy we know two things. The first is that in its "magnum opus" alchemy dealt with a redemption of matter itself. The second is that pari passu with this redemption of matter, a redemption of the individual psyche was not only unconsciously carried out but was also consciously intended. As we know, the serpent is a primeval symbol of the Spirit, as primeval and ambiguous as the Spirit itself. The emergence of the Earth archetype of the Great Mother brings with it the emergence of her companion, the Great Serpent. And, strangely enough, it seems as though modern man is confronted with a curious task, a task which is essentially connected with what mankind, rightly or wrongly, has feared most, namely the Devil.”

“In a world of limitations, only a fool would hesitate to touch the infinite.”

“The differences between religions are reflected very clearly in the different forms of sacred art: compared with Gothic art, above all in its “flamboyant” style, Islamic art is contemplative rather than volitive: it is “intellectual” and not “dramatic”, and it opposes the cold beauty of geometrical design to the mystical heroism of cathedrals. Islam is the perspective of “omnipresence” (“God is everywhere”), which coincides with that of “simultaneity” (“Truth has always been”); it aims at avoiding any “particularization” or “condensation”, any “unique fact” in time and space, although as a religion it necessarily includes an aspect of “unique fact”, without which it would be ineffective or even absurd. In other words Islam aims at what is “everywhere center”, and this is why, symbolically speaking, it replaces the cross with the cube or the woven fabric: it “decentralizes” and “universalizes” to the greatest possible extent, in the realm of art as in that of doctrine; it is opposed to any individualist mode and hence to any “personalist” mysticism. To express ourselves in geometrical terms, we could say that a point which seeks to be unique, and which thus becomes an absolute center, appears to Islam—in art as in theology—as a usurpation of the divine absoluteness and therefore as an “association” (shirk); there is only one single center, God, whence the prohibition against “centralizing” images, especially statues; even the Prophet, the human center of the tradition, has no right to a “Christic uniqueness” and is “decentralized” by the series of other Prophets; the same is true of Islam—or the Koran—which is similarly integrated in a universal “fabric” and a cosmic “rhythm”, having been preceded by other religions—or other “Books”—which it merely restores. The Kaaba, center of the Muslim world, becomes space as soon as one is inside the building: the ritual direction of prayer is then projected toward the four cardinal points.If Christianity is like a central fire, Islam on the contrary resembles a blanket of snow, at once unifying and leveling and having its center everywhere.”

“To be fully in service to something one has experienced as real is the essence of leadership in a nonhierarchical age. A leader is the holder of a story, someone whose experience of its reality is deep enough so that she can hold the belief on behalf of others.”