“The differences between religions are reflected very clearly in the different forms of sacred art: compared with Gothic art, above all in its “flamboyant” style, Islamic art is contemplative rather than volitive: it is “intellectual” and not “dramatic”, and it opposes the cold beauty of geometrical design to the mystical heroism of cathedrals. Islam is the perspective of “omnipresence” (“God is everywhere”), which coincides with that of “simultaneity” (“Truth has always been”); it aims at avoiding any “particularization” or “condensation”, any “unique fact” in time and space, although as a religion it necessarily includes an aspect of “unique fact”, without which it would be ineffective or even absurd. In other words Islam aims at what is “everywhere center”, and this is why, symbolically speaking, it replaces the cross with the cube or the woven fabric: it “decentralizes” and “universalizes” to the greatest possible extent, in the realm of art as in that of doctrine; it is opposed to any individualist mode and hence to any “personalist” mysticism. To express ourselves in geometrical terms, we could say that a point which seeks to be unique, and which thus becomes an absolute center, appears to Islam—in art as in theology—as a usurpation of the divine absoluteness and therefore as an “association” (shirk); there is only one single center, God, whence the prohibition against “centralizing” images, especially statues; even the Prophet, the human center of the tradition, has no right to a “Christic uniqueness” and is “decentralized” by the series of other Prophets; the same is true of Islam—or the Koran—which is similarly integrated in a universal “fabric” and a cosmic “rhythm”, having been preceded by other religions—or other “Books”—which it merely restores. The Kaaba, center of the Muslim world, becomes space as soon as one is inside the building: the ritual direction of prayer is then projected toward the four cardinal points.If Christianity is like a central fire, Islam on the contrary resembles a blanket of snow, at once unifying and leveling and having its center everywhere.”

“Existentialism” is a thinkingThat no longer wishes to think; this means the destructionOf the true thinking that constitutes man.The existentialist fanaticsDislocate their brains for nothing — it is only a case ofSelf-delusion and self-promotion.For to think truly means: recollection.Let the fools spin their foolishness.-----“Daseinsphilosophie” — sie ist ein DenkenDes Nichtmehr-Denkenwollens: so ZerstörungDes wahren Denkens, das den Menschen macht.Die Existenz-Fanatiker verrenkenSich das Gehirn für nichts — nur SelbstbetörungUnd Selbstbespiegelung kommt in Betracht.Denn wirklich denken heißet: sich besinnen.Und lasst die Narren ihre Torheit spinnen.”

“In relation to Monotheism considered as such, Judaism stabilized but “confiscated” the Message; Christianity universalized but “altered” it; Islam in turn restored it by stabilizing and universalizing it.”

“This capacity for objectivity and absoluteness amounts to an existential — and “preventive” — refutation of the ideologies of doubt: if a man is able to doubt, it is because there is certainty; likewise the very notion of illusion proves that man has access to reality. It follows that there are necessarily some men who know reality and who therefore have certainty; and the great spokesmen of this knowledge and certainty are necessarily the best of men. For if truth were on the side of doubt, the individual who doubted would be superior not only to these spokesmen, who have not doubted, but also to the majority of normal men across the millennia of human existence. If doubt conformed to the real, human intelligence would be deprived of its sufficient reason, and man would be less than an animal, for the intelligence of animals does not doubt the reality to which it is proportioned.”

“It is impossible to describe a landscape so validly as to exclude all other descriptions, for no one can see the landscape in all its aspects at the same time, and no single view can prevent the existence and validity of other equally possible views.”

“When people want to be rid of Heaven it is logical to start by creating an atmosphere in which spiritual things appear out of place; in order to be able to declare successfully that God is unreal they have to construct around man a false reality, a reality that is inevitably inhuman because only the inhuman can exclude God. What is involved is a falsification of the imagination and so its destruction.”

“The esoteric finds the Absolute within the traditions, as poets find poetry within the poems.”

“Tacitus laughed at the Germanic tribes who tried to stop a torrent with their shields, but it is no less naive to believe in planetary migration or to believe in the establishment by purely human means of a society fully satisfied and perfectly inoffensive and continuing to progress indefinitely. All this proves that man ,though he has inevitably become less naive in some things, has nonetheless learned nothing as far as essentials are concerned; the only thing that man is capable of when left to himself is to "commit the oldest sins the newest kind of ways," as Shakespeare would say. And the world being what it is, one is doubtless not guilty of a truism in adding that it is better to go to Heaven naively than to go intelligently to hell.”

“If Mohammed had been a false prophet. there is no reason why Christ should not have spoken of him as he spoke of Antichrist but if Mohammed is a true Prophet the passages referring to the Paraclete must inevitably concern him - not exclusively but eminently - for it is inconceivable that Christ, when speaking of the future, should have passed over in silence a manifestation of such magnitude. The same reasoning excludes a priori the possibility that Christ. when making his predictions, intended to include Mohammed under the general denomination of'' false prophets", for in the history of our era Mohammed is in no sense a typical example among others of the same kind, but on the contrary, a unique and incomparable apparition(1). If he had been one of the false prophets announced by Christ he would have been followed by others and there would exist in our day a multitude of false religions subsequent to Christ and comparable in importance and extension to Islam. The spirituality to be found within Islam from its origins up to our days is an incontestable fact. and "by their fruits ye shall know them." Moreover, it will be recalled that the Prophet in his doctrine has testified to the second coming of Christ without attributing to himself any glory. unless it be that of being the last Prophet of the cycle and history proves that he spoke the truth, no comparable manifestation having followed after him.”

“Spiritual realization is theoretically the easiest thing and in practice the most difficult thing there is. It is the easiest because it is enough to think of God. It is the most difficult because human nature is forgetfulness of God.”

“The differences between religions are reflected very clearly in the different forms of sacred art: compared with Gothic art, above all in its “flamboyant” style, Islamic art is contemplative rather than volitive: it is “intellectual” and not “dramatic”, and it opposes the cold beauty of geometrical design to the mystical heroism of cathedrals. Islam is the perspective of “omnipresence” (“God is everywhere”), which coincides with that of “simultaneity” (“Truth has always been”); it aims at avoiding any “particularization” or “condensation”, any “unique fact” in time and space, although as a religion it necessarily includes an aspect of “unique fact”, without which it would be ineffective or even absurd. In other words Islam aims at what is “everywhere center”, and this is why, symbolically speaking, it replaces the cross with the cube or the woven fabric: it “decentralizes” and “universalizes” to the greatest possible extent, in the realm of art as in that of doctrine; it is opposed to any individualist mode and hence to any “personalist” mysticism. To express ourselves in geometrical terms, we could say that a point which seeks to be unique, and which thus becomes an absolute center, appears to Islam—in art as in theology—as a usurpation of the divine absoluteness and therefore as an “association” (shirk); there is only one single center, God, whence the prohibition against “centralizing” images, especially statues; even the Prophet, the human center of the tradition, has no right to a “Christic uniqueness” and is “decentralized” by the series of other Prophets; the same is true of Islam—or the Koran—which is similarly integrated in a universal “fabric” and a cosmic “rhythm”, having been preceded by other religions—or other “Books”—which it merely restores. The Kaaba, center of the Muslim world, becomes space as soon as one is inside the building: the ritual direction of prayer is then projected toward the four cardinal points.If Christianity is like a central fire, Islam on the contrary resembles a blanket of snow, at once unifying and leveling and having its center everywhere.”