Jaz parks Quotes

“Cole - I just thought of a new game.Jaz - What's that?Cole - Splat the Specter.Jaz - Rules?Cole - You can help me make them up. Right now all I know for sure is that it involves water guns filled with grape Kool-Aid and two ferrets named Biff and Chlamydia.Vayl - Why Ferrets?Jaz - Really? You want to know about his choice of pets when he's named one of them after an STD?”

“Caring for someone that doesn't care for you doesn't get you any where, take all the love and care you have for them and give it to someone that actually cares about you, but until you find that person... invest it in yourself.”

“Don't let your fear hold you back, Jaz.” - Alf Abrahamsen”

“Think about Isis,” Jaz repeated. “And Sadie…thereis a purpose. You taught us that. We choose to believe in Ma'at. We create order out of chaos, beauty and meaning out of ugly randomness. That's what Egypt is all about. That's why its name, its ren, has endured for millennia. Don't despair. Otherwise Chaos wins.”

“Xander, there are two certainties in life--death and truth. They will both pursue you to your grave. There is no escaping them. But we run from them anyway in hopes that somehow we can slip by unnoticed. In the end, one or both of them catch up. Running doesn't solve anything.”

“Contemporary attitudes toward urban parks fall into three levels of sophistication. The first, the most naive assumption, is that parks are just plots of land preserved in their original state. If asked to discuss the issue at all, many laymen have maintained this much, that parks are bits of nature created only in the sense that some decision was made not to build on the land. Many are surprised to learn that parks that an artifact conceived and deliberated as carefully as public buildings, with both physical shape and social usage taken into account. The second, a little more informed, is that parks are aesthetic objects and that their history can be understood in terms of an evolution of artistic styles independent of societal considerations. The third is the view that each of the elements of the urban park represents part of planners' strategy for moral and social reform, so that today, as in the past, the citizen visiting a park is subject to an accumulated set of intended moral lessons.”

“Park stood up when she got to their row, and as soon as she sat down, he took her hand and kissed it. It happened so fast, she didn't have time to die of ecstasy or embarrassment.”

“As Elizabeth Blackmar and Ray Rosenzweig wrote in their magisterial history of [Central Park in NYC]: 'The issue of demoncratic access to the park has also been raised by the increasing number of homeless New Yorkers. Poor people--from the 'squatters' of the 1850s to the 'tramps' of the 1870s and 1890s to the Hooverville residents of the 1930s--have always turned to the park land for shelter...The growing visibility of homeless people in Central Park osed in the starkest terms the contradiction between Americans' commitment to democratic space and their acquiescence in vast disparities of wealth and power.”

“Yellowstone, of all the national parks, is the wildest and most universal in its appeal... Daily new, always strange, ever full of change, it is Nature's wonder park. It is the most human and the most popular of all parks. -Yellowstone Park for Your Vacation (circa 1920s)”

“It's going to be okay," Park said.She nodded. "Right.""Because I love you."She laughed. "Is that why?""It is, actually.”