Nationalism Quotes

“The sports pages are men's pages, although they are not presented as such. /.../ On foreign fields, the men win their trophies, or lose their honour, doing battle on the nation's behalf. The readers, mainly men, are invited to see these male exploits in terms of the whole homeland, and, thus, men's concerns are presented as if defining the whole national honour.The parallel between sport and warfare seems obvious...”

“What constitutes the character of a nation is the character of many individual human beings; every national character is in essence, simply human nature. All the worlds nations, therefore, have a great deal in common with one another. The foundation of any national character is human nature. The foundation of national character is simply a particular colouring taken on by human nature, a particular crystallisation of it.”

“Nationalism is not the awakening of nations to self-consciousness: it invents nations where they do not exist.”

“Nationalism is not to be confused with patriotism.”

“The nationalism of a small nation can, with treacherous ease, become detached from its roots in what is noble and human. It then become pitiful, making the nation appear smaller rather than greater. It is the same with nations as with individuals; while trying to draw attention to the inadequacies of others, people all too often reveal their own.”

“Nationalism and socialism as actually lived and applied in the 20th century are the same thing (and in the 18th and 19th century, nationalism was often a force for classical liberalism!). It’s all a kind of reactionary tribalism (another “ism” which becomes poisonous quickly as you up the dosage). When you nationalize an industry, you socialize it. When you socialize an industry you nationalize it. Yes, international socialism rejected this formulation. And that’s why international socialism failed! People wanted to be Germans or Russians or Italians and they wanted to be socialists. Even the Soviet Union embraced national-socialism (socialism in one country) because that 'workers of the world unite' crap wouldn't fly. After Stalin, no Communist or socialist regime failed to exploit nationalism to one extent or another.”

“Gökalp gave "the nation" an important mystical component. In his work, "he transferred to the nation the divine qualities he had found in society, replacing the belief in God with the belief in nation: and so nationalism became a religion." The national is deified, thus expanding Durkheim's idea that "society can do as it pleases." So, if a nation perceives itself in danger, it feels no moral responsibility in its response to that danger. The Unionist "scientific approach" gained a "sacred" character through Gökalp's theories.”

“The path to the ethnic democratization of American society is through its culture, that is to say through its cultural apparatus, which comprises the eyes, the ears, and the "mind" of capitalism and is twentieth-century voice to the world. Thus to democratize the cultural apparatus is tantamount to revolutionizing American society itself into the living realization of its professed ideas. Seeing the problem in another way, to revolutionize the cultural apparatus is to deal fundamentally with the unsolved American question of nationality--Which group speaks for America and for the glorification of which ethnic image? Either all group images speak for themselves and for the nation, or American nationality will never be determined.”

“In America, the materio-economic conditions relate to a societal, multi-group existence in a way never before know in world history. American Negro nationalism can never create its own values, find its revolutionary significance, define its political and economic goals, until Negro intellectuals take up the cudgels against the cultural imperialism practiced in all of its manifold ramifications on the Negro within American culture. But this kind of revolution would have to be predicated on the recognition that the cultural and artistic originality of the American nation is founded, historically, on the ingredients of a black aesthetic and artistic base.”