Neapolitan novels Quotes

“I have a concept of Naples that is not so much of a city, per se, but rather an ingredient of the human spirit that I detect in everyone, Neapolitan or not. The idea that 'Neapolitanism' and mass ignorance are somehow indissolubly linked is one that I am prepared to fight with all the strength I have.”

“I have a concept of Naples that is not so much of a city, per se, but rather an ingredient of the human spirit that I detect in everyone, Neapolitan or not. The idea that 'Neapolitanism' and mass ignorance are somehow indissolubly linked is one that I am prepared to fight with all the strength I have.”

“Neapolitans are extremely empathetic, whereas the typical northern attitude is more about not showing or sharing your feelings.”

“If I could eat whatever I wanted every day, I would have Domino's pizza with pasta carbonara inside every slice. And at night, I would have Neapolitan ice cream until I felt absolutely toxic. And then I would drift off telling myself, 'It's going to be O.K... It's going to be O.K. you're going to train in the morning.'”

“Words.I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate.Mississippi. Neapolitan. Hippopotamus.Silky. Terrifying. Iridescent.Tickle. Sneeze. Wish. Worry.Words have always swirled around me like snowflakes—each one delicate and different, each one melting untouched in my hands.Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs.From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear.Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them.I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings.But only in my head.I have never spoken one single word. I am almost eleven years old.”

“I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. . . . I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. . . . True miracles are the ones whose makers will never be known. . . . Besides, isn’t it true that promotion is expensive? I will be the least expensive author of the publishing house. I’ll spare you even my presence.”

“The novel is born not of the theoretical spirit but of the spirit of humor.”

“A novel does not assert anything, a novel poses questions... The stupidity of people comes from having an answer for everything. When Don Quixote went out into the world, that world turned into a mystery before his eyes. That is the legacy of the first European novel to the entire subsequent history of the novel. The novelist teaches the reader to comprehend the world as a question. There is wisdom and tolerance in that attitude.”

“Suspending moral judgement is not the immorality of the novel; it is its morality. The morality that stands against the ineradicable human habit of judging instantly, ceaselessly, and everyone; of judging before, and in the absence of, understanding. From the viewpoint of the novel's wisdom, that fervid readiness to judge is the most detestable stupidity. Not that the novelist utterly denies that moral judgement is legitimate, but that she refuses it a place in the novel.”

“Now, my novel begins. No, now I begin my novel—and yet I cannot decide whether to call myself I or she.”

“If writers only dared to dare, a Suetonius or a Tacitus of the Novel could exist, for the Novel is essentially the history of manners, turned into a story and a play, as is History itself often enough. And there is no other difference than this: that the one, the Novel, cloaks its manners under the disguise of invented characters, while the other, History, provides names and addresses. Only, the Novel probes much deeper than history. It has an ideal, and History has none; it is limited by reality. The Novel also holds the stage much longer. ("A Woman's Vengeance")”