Nothingness Quotes

“Tell me something, Mari—do you believe in reincarnation?” Mari shakes her head. “No, I don’t think so,” she says. “So you don’t think there’s a life to come?” “I haven’t thought much about it. But it seems to me there’s no reason to believe in a life after this one.” “So once you’re dead there’s just nothing?”“Basically.”“Well, I think there has to be something like reincarnation. Or maybe I should say I’m scared to think there isn’t. I can’t understand nothingness. I can’t understand it and I can’t imagine it.” “Nothingness means there’s absolutely nothing, so maybe there’s no need to understand it or imagine it.” “Yeah, but what if nothingness is not like that? What if it’s the kind of thing that demands that you understand it or imagine it? I mean, you don’t know what it’s like to die, Mari. Maybe a person really has to die to understand what it’s like.” “Well, yeah…,” says Mari. “I get so scared when I start thinking about this stuff,” Korogi says. “I can hardly breathe, and my whole body wants to shrink into a corner. It’s so much easier to just believe in reincarnation. You might be reborn as something awful, but at least you can imagine what you’d look like—a horse, say, or a snail. And even if it was something bad, you might be luckier next time.”

“What is next to ecstasy?Pain.What is next to pain?Nothingness.What is next to nothingness?Hell.”

“Man must be an emptiness, a nothingness, which is not a pure nothingness (reines Nichts), but something that is to the extent that it annihilates Being, in order to realize itself at the expense of Being and to nihilate in being. Man is negating Action, which transforms given Being and, by transforming it, transforms itself. Man is what he is only to the extent that he becomes what he is; his true Being (Sein) is Becoming (Werden), Time, History; and he becomes, he is History only in and by Action that negates the given, the Action of Fighting and of Work — of the Work that finally produces the table on which Hegel writes his Phenomenology, and of the Fight that is finally that Battle at Jena whose sounds he hearts while writing the Phenomenology. And that is why, in answering the “What am I?” Hegel had to take account of both that table and those sounds.”

“Alone, I often fall down into nothingness. I must push my foot stealthily lest I should fall off the edge of the world into nothingness. I have to bang my head against some hard door to call myself back to the body.”

“There is no always," I say. "Nothing persists forever.""Nothingness persists," she says. She is testing me."No. So long as anything exists, nothingness is impossible. In fact, it's nothingness that cannot persist. Nothingness gives way to somethingness. The nothingness that preceded the Big Bang was obliterated. Nothing became something.”

“A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet…, even though we know that there is nothing, or no one, awaiting us. We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. Without this end that constantly eludes us we would not journey forth, nor would there be any paths. But the end is the refutation and the condemnation of the path: at the end the path dissolves, the meeting fades away to nothingness. And the end—it too fades away to nothingness.”

“Life to be bearable must be lived intensely. Through it a continuous stream of emotion passes. Though that emotion is ever changing as flowing water changes, it at least bears us along on a current that gives the illusion of continuity and permanence. But analyze life, tear its trappings off, lay it bare with thought, with logic, with philosophy, and its emptiness is revealed as a bottomless pit; its nothingness frankly confesses to nothingness, and Despair comes to perch in the soul.”

“Nothingness lies coiled in the heart of being - like a worm.”

“There were profound reasons for his attachment to the sea: he loved it because as a hardworking artist he needed rest, needed to escape from the demanding complexity of phenomena and lie hidden on the bosom of the simple and tremendous; because of a forbidden longing deep within him that ran quite contrary to his life's task and was for that very reason seductive, a longing for the unarticulated and immeasurable, for eternity, for nothingness. To rest in the arms of perfection is the desire of any man intent upon creating excellence; and is not nothingness a form of perfection?”