A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet…, even though we know that there is nothing, or no one, awaiting us. We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. Without this end that constantly eludes us we would not journey forth, nor would there be any paths. But the end is the refutation and the condemnation of the path: at the end the path dissolves, the meeting fades away to nothingness. And the end—it too fades away to nothingness.

A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet…, even though we know that there is nothing, or no one, awaiting us. We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. Without this end that constantly eludes us we would not journey forth, nor would there be any paths. But the end is the refutation and the condemnation of the path: at the end the path dissolves, the meeting fades away to nothingness. And the end—it too fades away to nothingness.

Octavio Paz
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To reduce poetry to its reflections of historical events and movements would be like reducing the poet's words to their logical or grammatical connotations.

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Writers, you know, are the beggars of Western society.

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No one is alone, and each change here brings about another change there.

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Solitude is the profoundest fact of the human condition. Man is the only being who knows he is alone.

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Self-discovery is above all the realization that we are alone: it is the opening of an impalpable, transparent wall - that of our consciousness - between the world and ourselves.

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Any reflection about poetry should begin, or end, with this question: who and how many read poetry books?

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Poetry is the experience of liberty. The poet risks himself, chances all on the poem's all with each verse he writes.

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Surrealism is not a poetry but a poetics, and even more, and more decisively, a world vision.

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Poetry is not a genre in harmony with the modern world; its innermost nature is hostile or indifferent to the dogmas of modern times, progress and the cult of the future.

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