Public spaces Quotes

“America is a leap of the imagination. From its beginning, people had only a persistent idea of what a good country should be. The idea involved freedom, equality, justice, and the pursuit of happiness; nowadays most of us probably could not describe it a lot more clearly than that. The truth is, it always has been a bit of a guess. No one has ever known for sure whether a country based on such an idea is really possible, but again and again, we have leaped toward the idea and hoped. What SuAnne Big Crow demonstrated in the Lead high school gym is that making the leap is the whole point. The idea does not truly live unless it is expressed by an act; the country does not live unless we make the leap from our tribe or focus group or gated community or demographic, and land on the shaky platform of that idea of a good country which all kinds of different people share.This leap is made in public, and it's made for free. It's not a product or a service that anyone will pay you for. You do it for reasons unexplainable by economics--for ambition, out of conviction, for the heck of it, in playfulness, for love. It's done in public spaces, face-to-face, where anyone is free to go. It's not done on television, on the Internet, or over the telephone; our electronic systems can only tell us if the leap made elsewhere has succeeded or failed. The places you'll see it are high school gyms, city sidewalks, the subway, bus stations, public parks, parking lots, and wherever people gather during natural disasters. In those places and others like them, the leaps that continue to invent and knit the country continue to be made. When the leap fails, it looks like the L.A. riots, or Sherman's March through Georgia. When it succeeds, it looks like the New York City Bicentennial Celebration in July 1976 or the Civil Rights March on Washington in 1963. On that scale, whether it succeeds or fails, it's always something to see. The leap requires physical presence and physical risk. But the payoff--in terms of dreams realized, of understanding, of people getting along--can be so glorious as to make the risk seem minuscule.”

“If I want religion, I know where to look for it - and if for example I don't want it, then why should it be forced on me in media and public spaces?”

“A greater focus on design in all new homes would make the best use of land, create homes and public spaces, and reinforce the structures of urban life.”

“I read what you leave in public spaces. The songs you reference. The quotes you quote. I know it’sabout me. I can feel you thinking of me. I want to tell you that I know and admit that I feel the same.But I can’t. Not yet.”

“All but universally, human architecture values front elevations over back entrances, public spaces over private. Danny Jessup says that this aspect of architecture is also a reflection of human nature, that most people care more about their appearance than they do about their souls.”

“A library in the middle of a community is a cross between an emergency exit, a life-raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen instead”

“I'd told him what it had been like, living on thew streets. How the police were to be avoided at all costs, how they never helped you if you were homeless or busking. How they pushed you around and made you leave public spaces. How they let other people treat you like garbage without intervening. Cops would never support someone like me. Never.' - Eyes Like Mine”

“Throughout the world what remains of the vast public spaces are now only the stuff of legends: Robin Hood’s forest, the Great Plains of the Amerindians, the steppes of the nomadic tribes, and so forth… Rousseau said that the first person who wanted a piece of nature as his or her own exclusive possession and transformed it into the transcendent form of private property was the one who invented evil. Good, on the contrary, is what is common.”

“I had a theory; I’m not sure if it was my own but it worked for me. Public spaces, such as streets and subway stations, became inhabitable as I assigned them some value and imprinted an experience on them. If I recited a snatch of Paterson every time I walked along a certain avenue, eventually that avenue would sound like William Carlos Williams. The entrance to the subway at 116th Street was Emily Dickinson’s:Presentiment is that long shadow on the lawnIndicative that suns go down;The notice to the startled grassThat darkness is about to pass.”