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“He sighed. A year since he’d left her the morning after the final battle with her brother. A year since he’d held her in his arms. A year since he’d kissed her. A year since he’d buried his head between her thighs. A year since she’d punched him in the face.”
G.A. Aiken, Dragon Actually“You're beautiful, but you're empty...One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose.”
Antoine de Saint-Exupéry, The Little Prince“God, had it really been that long? It had. Nineteen years since Georgie stumbled across Seth in the Spoon offices, seventeen years since she first noticed Neal, fourteen since she married him, standing beside a row of lilac trees in his parents' back yard. Georgie never thought she'd be old enough to talk about life in big, decade-long chunks like this. It's not that she'd thought she was going to die before now, she'd just never imagined it would feel this way, the heaviness of the proportions. Twenty years with the same dream, seventeen with the same man. Pretty soon she'd have been with Neal longer than she'd been without him. She'd know herself as his wife better than she'd ever known herself as anyone else. It felt like too much, not too much have, just too much to contemplate. Commitments like boulders that were too heavy to carry. Fourteen years since their wedding, fifteen years since Neal tried to drive away from her, fifteen since he drove back. Seventeen since she first saw him, saw something in him that she couldn't look away from.”
Rainbow Rowell, Landline“A woman in combat? Yes. Since when? Since Native American warrior Buffalo Calf Road Woman knocked that prick General George Custer off of his horse. Since Pantea Arteshbod propelled herself to become one of the greatest Persian commanders during the reign of Cyrus the Great. Since Hua Mulan disguised herself as a male to engage in combat and became one of China’s most respected heroines.”
M.B. Dallocchio, The Desert Warrior“That was it. To be a rolling stone. In the romantic places of the earth. Ready for a fight, a frolic, or a feed. And since I was Irish, since I was Billy Hamill's son, since I was from Brooklyn: a drink too.”
Pete Hamill, A Drinking Life: A Memoir“It is a foible of our human nature that when we have an extremely unpleasant experience, it gives us a peculiar satisfaction if it is “the biggest” of its disagreeable kind that has happened since the world began. During a heat wave, for instance, we are very pleased if the papers announce that it is “the highest temperature reached since the year 1881,” and we feel a little resentment towards the year 1881 for having gone us one better. Or if our ears are frozen till all the skin peels off, it fills us with a certain happiness to learn that “it was the hardest frost recorded since 1786.” It is just the same with wars. The war in progress is either the most righteous or the bloodiest, or the most successful, or the longest, since such and such a time; any superlative whatever always affords us the proud satisfaction of having been through something extraordinary and record-breaking.”
Karel Čapek, The Absolute at Large“But since Kurdistan did not, as such, exist; since it was an imaginary land, stretching over scraggy mountains and deep valleys in Turkey, Iraq, Iran and Syria; since they were as landless as the Palestinians and as nameless as the Liberians, the Kurds didn't really exist either, and so, officially, they were Turks.”
Sophie Hardach, The Registrar's Manual for Detecting Forced Marriages“We can understand why one of the titles given to Jesus is that of ‘prophet.’ Jesus is the last and greatest of the prophets, the one who sums them up and goes further than all of them. He is the prophet of the last, but also of the best, chance. With him there takes place a shift that is both tiny and gigantic – a shift that follows on directly from the Old Testament but constitutes a decisive break as well. This is the complete elimination of the sacrificial for the first time – the end of divine violence and the explicit revelation of all that has gone before. It calls for a complete change of emphasis and a spiritual metamorphosis without precedent in the whole history of mankind. It also amounts to an absolute simplification of the relations between human beings, in so far as all the false differences between doubles are annulled – a simplification in the sense in which we speak of an algebraic simplification.Throughout the texts of the Old Testament it was impossible to conclude the deconstruction of myths, rituals and law since the plenary revelation of the founding murder had not yet taken place. The divinity may be to some extent stripped of violence, but not completely so. That is why there is still an indeterminate and indistinct future, in which the resolution of the problem by human means alone – the face-to-face reconciliation that ought to result when people are alerted to the stupidity and uselessness of symmetrical violence – remains confused to a certain extent with the hope of a new epiphany of violence that is distinctively divine in origin, a ‘Day of Yahweh’ that would combine the paroxysm of God’s anger with a no less God-given reconciliation. However remarkably the prophets progress toward a precise understanding of what it is that structures religion and culture, the Old Testament never tips over into the complete rationality that would dispense with this hope of a purgation by violence and would give up requiring God to take the apocalyptic solution by completely liquidating the ‘evil’ in order to ensure the happiness of the chosen.”
René Girard, Things Hidden Since the Foundation of the World“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move.”
William Faulkner