“You're beautiful, but you're empty...One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose.”
Antoine de Saint-Exupéry“Go, Breeze,” someone yelled.But another voice yelled, “Quit showing off, stupid mutant.”Brianna stopped dead. Her dress settled back into place. “Who said that?”Zil. The same jerk who had picked on Jack over the phones.“Me,” Zil said, stepping forward. “And don’t bother trying to look tough. I’m not scared of you, freak.”“You should be,” Brianna hissed.Suddenly there was Dekka, up off her chair, hand extended between Brianna and Zil. “No,” she said in her deep voice. “None of that.”Quinn joined her. “Dekka’s right, we can’t be having fights and stuff here. Sam will shut this place down.”“Maybe we should have two different clubs,” a seventh grader named Antoine said. “You know, one for freaks and one for normals.”“Man, what is the matter with you?” Quinn demanded.“I don’t like her acting like she’s so cool, is all,” Zil said, stepping beside Antoine.“You should be on our side, Quinn. Everyone knows you’re a normal,” another kid, Lance, said. “Well…kind of normal. You’re still Quinn.”
Michael Grant, Hunger“Quand tu veux construire un bateau, ne commence pas par rassembler du bois, couper des planches et distribuer du travail, mais reveille au sein des hommes le desir de la mer grande et large.If you want to build a ship, don't drum up people together to collect wood and don't assign them tasks and work, but rather teach them to long for the endless immensity of the sea.”
Antoine de Saint-Exupéry“We’ve searched all of the homes and carried the food to Ralph’s,” Sam continued. “The problem is that all the fruit and veggies spoiled while we were all filling up on chips and cookies. The meat all rotted. People were stupid and careless, and there’s nothing we can do about that now.” Sam swallowed the bitterness he felt, the anger he felt at his own foolishness. “But we have food sitting out in the fields. Maybe not the food we’d like, but enough to carry us for months—many months—if we bring it in before it rots and the birds eat it.”“Maybe we’ll get rescued, and we won’t have to worry,” another voice said.“Maybe we’ll learn to live on air,” Astrid muttered under her breath but loudly enough to be heard by at least a few.“Why don’t you go get our food back from Drake and the chuds up there?”It was Zil. He accepted a congratulatory slap on the back from a creepy kid named Antoine, part of Zil’s little posse.“Because it would mean getting some kids killed,” Sam said bluntly. “We’d be lucky to rescue any of the food, and we’d end up digging more graves in the plaza. And it wouldn’t solve our problem, anyway.”
Michael Grant, Hunger“But if you come at just any time, I shall never know at what hour my heart is to be ready to greet you.”
Antoine de Saint-Exupéry, The Little Prince“Here is my secret. It’s quite simple: One sees clearly only with the heart. Anything essential is invisible to the eyes.”
—Antoine de Saint-Exupéry, The Little Prince“She knew this man's smile, his gentle ways of love, but not his godlike fury in the storm. She might snare him in a fragile net of music, love and flowers, but, at each departure, he would break forth without, it seemed to her, the least regret.”
Antoine de Saint-Exupéry, Night Flight“No one is ever satisfied where he is....Only the children know what they’re looking for....”
Antoine de Saint-Exupéry, The Little Prince“Man spends his life in reasoning on the past, in complaining of the present, in fearing future.”
Antoine Rivarol“I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. It's an inclusive approach that brings in many disciplines and sees place as a dynamic thing.”
Antoine Predock“The connection to place, to the land, the wind, the sun, stars, the moon... it sounds romantic, but it's true - the visceral experience of motion, of moving through time on some amazing machine - a few cars touch on it, but not too many compared to motorcycles. I always felt that any motorcycle journey was special.”
Antoine Predock