The murders in rue morgue Quotes

“From "Lady In Waiting" in the anthology The Morgue :Now I have yet to meet the corpse could hold up its end of a conversation, so at most I might whistle while fixin’ one up ‘stead of engagin’ myself in any small talk that’s goin’ to be so one-sided anyways. But Cindy Flowers’ corpse weren’t no ordinary body when it walked upright, and it sure weren’t ordinary just because it was lyin’ before me in a pine wood box. So for the first time I felt the need to get a few things said to one of our visitors, and I leaned down to get myself real close to her face. Her eyes was closed ‘cause Pa had already sewed her lids shut.”

“From "Lady In Waiting" in the anthology The Morgue :Now I have yet to meet the corpse could hold up its end of a conversation, so at most I might whistle while fixin’ one up ‘stead of engagin’ myself in any small talk that’s goin’ to be so one-sided anyways. But Cindy Flowers’ corpse weren’t no ordinary body when it walked upright, and it sure weren’t ordinary just because it was lyin’ before me in a pine wood box. So for the first time I felt the need to get a few things said to one of our visitors, and I leaned down to get myself real close to her face. Her eyes was closed ‘cause Pa had already sewed her lids shut.”

“This is the place where death rejoices to help those who live. It's written somewhere in every morgue I've ever been in. Nice way of looking at it, isn't it?”

“I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them.When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement.When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower.One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.”

“They don't make morgues with windows. In fact, if the geography allows for it, they hardly ever make morgues above the ground. I guess it's partly because it must be eisier to refrigerate a bunch of coffin-sized chambers in a room insulated by the earth. But that can't be all there is to it. Under the earth means a lot more than relative altitude. It's where dead things fit. Graves are under the earth. So are Hell, Gehenna, Hades, and a dozen other reported afterlives.Maybe it says somthing about people. Maybe for us, under the earth is a subtle and profound statement. Maybe ground level provides us with a kind of symbolic boundary marker, an artificial construct that helps us remember that we are alive. Mabye it helps us push death's shadow back from our lives.I live in a basement apartment and like it. What does that say about me?Probably that I overanalyze things.”

“True enough, the country is calm. Calm as a morgue or a grave, would you not say?”

“He liked the Leedses. He was sorry that he had been to the morgue. He thought the madman who visited them might have liked them too. But the madman would like them better the way they were now.”

“The only way I'd be caught without makeup is if my radio fell in the bathtub while I was taking a bath and electrocuted me and I was in between makeup at home. I hope my husband would slap a little lipstick on me before he took me to the morgue.”

“Dreema and you disagree. She cottons to Richmond, but you can't be weaned off Pelham. So I offer you a fair middle ground: relocate to northern Virginia. She transfers to the state morgue on Braddock Road, and you get to stay near your old beat.”

“...The next time I opened my eyes, I was in the morgue.This, all by itself, is enough to really ruin your day.I was lying on the examining table, and Butters, complete with his surgical gown and his tray of autopsy instruments, stood over me.'I'm not dead!' I sputtered. 'I'm not dead!'- Harry Dresden, Death Masks, Jim Butcher”

“So things remained until one day, many years later, I happened upon a line in a poem by Heine: “Death is the cooling night.” That childhood memory, lost for so long, suddenly restored itself to my quivering heart, returning freshly washed, in limpid clarity, never again to leave me. If literature truly possesses a mysterious power, I think perhaps it is precisely this: that one can read a book by a writer of a different time, a different country, a different race, a different language, and a different culture and there encounter a sensation that is one’s very own. Heine put into words the feeling I had as a child when I lay napping in the morgue. And that, I tell myself, is literature.”