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“Before forty, you think that exhaustion is something like a long-lasting hangover. But at forty you learn all about it. Even your passions exhaust you.”
Kevin Barry“As she drove the familiar route to the school, she considered her magnificent new age. Forty. She could still feel "forty" the way it felt when she was fifteen. Such a colorless age. Marooned in the middle of your life. Nothing would matter all that much when you were forty. You wouldn't have real feelings when you were forty, because you'd be safely cushioned by your frumpy forty”
Liane Moriarty, Big Little Lies“I have these visions of myself being thirty, thirty-five, forty having a family.”
Nastassja Kinski“Many people over forty have at least one health condition that affects their ability to work a forty hour work week effectively. Human Resources (HR), doctors and governments have known this fact for decades.”
Steven Magee“I now understand that I would never have been able to become a plausible critic of the absurdities of modern consciousness until I myself had experienced them. I did not become an orthodox believer or theologian until after I tried out most of the errors long rejected by Christianity. If my first forty years were spent hungering for meaning in life, the last forty have been spent in being fed. If the first forty were prodigal, the last forty have been a homecoming.”
Thomas C. Oden, A Change of Heart: A Personal and Theological Memoir“As I went through all these experiences, I began to compile a list that wasn't written down in any book, only inscribed in my soul. To me these were as universal, dependable, and invariable as the laws of nature. Together they constituted The Forty Rules of the Religion of Love, which could be attained through love and love only.”
Elif Shafak, The Forty Rules of Love“You heard people say forty was the new thirty and fifty was the new forty and sixty was the new forty-five, but you never heard anybody say eighty was the new anything. Eighty was just eighty.”
John Lanchester, Capital“A child's reading is guided by pleasure, but his pleasure is undifferentiated; he cannot distinguish, for example, between aesthetic pleasure and the pleasures of learning or daydreaming. In adolescence we realize that there are different kinds of pleasure, some of which cannot be enjoyed simultaneously, but we need help from others in defining them. Whether it be a matter of taste in food or taste in literature, the adolescent looks for a mentor in whose authority he can believe. He eats or reads what his mentor recommends and, inevitably, there are occasions when he has to deceive himself a little; he has to pretend that he enjoys olives or War and Peace a little more than he actually does. Between the ages of twenty and forty we are engaged in the process of discovering who we are, which involves learning the difference between accidental limitations which it is our duty to outgrow and the necessary limitations of our nature beyond which we cannot trespass with impunity. Few of us can learn this without making mistakes, without trying to become a little more of a universal man than we are permitted to be. It is during this period that a writer can most easily be led astray by another writer or by some ideology. When someone between twenty and forty says, apropos of a work of art, 'I know what I like,'he is really saying 'I have no taste of my own but accept the taste of my cultural milieu', because, between twenty and forty, the surest sign that a man has a genuine taste of his own is that he is uncertain of it. After forty, if we have not lost our authentic selves altogether, pleasure can again become what it was when we were children, the proper guide to what we should read.”
W.H. Auden, The Dyer's Hand“... forty's nothing, at fifty you're in your prime, sixty's the new forty, and so on.”
Julian Barnes, The Sense of an Ending