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The urban capitalists and the bourgeoisie differ in linguistic habits and dress from the workers. They don't live together in one integrated society, but as two separate societies that speak different languages both literally and metaphorically. The urban capitalists do not know the life led by workers. Workers experience hardships that are unheard of amongst villagers and these evoke malice in the urban workers, easily stirred by union leaders who use them to ride to power. Villagers are different. Teaching the villagers cannot easily change what they have inherited from the environment and the past they have known and in which they have grown up. The village entrepreneur wore only a sarong in the past. Some of them wore a sarong and slung another over a shoulder. The poor villager's dress is also a sarong. The village entrepreneur speaks Sinhalese, which is the language of the poor villager too. On the day of the traditional New Year, the children of both the rich and the poor in the village eat together and play together in the homes of the villager elite. All this subdues feelings of resentment against the wealthy villagers. It's true that villagers suffer a great deal on account of their poverty. But unlike the urban poor, poverty amongst the villagers does not incite malice toward the wealthy, due to the rural way of life.

මාර්ටින් වික්‍රමසිංහ
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The urban capitalists and the bourgeoisie differ in linguistic habits and dress from the workers. They don't live together in one integrated society, but as two separate societies that speak different languages both literally and metaphorically. The urban capitalists do not know the life led by workers. Workers experience hardships that are unheard of amongst villagers and these evoke malice in the urban workers, easily stirred by union leaders who use them to ride to power. Villagers are different. Teaching the villagers cannot easily change what they have inherited from the environment and the past they have known and in which they have grown up. The village entrepreneur wore only a sarong in the past. Some of them wore a sarong and slung another over a shoulder. The poor villager's dress is also a sarong. The village entrepreneur speaks Sinhalese, which is the language of the poor villager too. On the day of the traditional New Year, the children of both the rich and the poor in the village eat together and play together in the homes of the villager elite. All this subdues feelings of resentment against the wealthy villagers. It's true that villagers suffer a great deal on account of their poverty. But unlike the urban poor, poverty amongst the villagers does not incite malice toward the wealthy, due to the rural way of life.

මාර්ටින් වික්‍රමසිංහ, Yuganthaya
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Village life gently swirled around them, with the perpetual ebb and flow of people, scurrying in every direction. The village was a living, organic entity, with blood flowing through its veins, and with a definite pulse and heartbeat. It had its own distinct personality and its own dark caustic humour, and was constantly processing and regurgitating information through its winding, meandering streets.

Leonardo Donofrio, Old Country
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Chamari: "Aravinda, have you been to Kataragama?"Aravinda: "No, I've never been there."Chamari: "What? That's unbelievable for someone born in Deniyaya!"Aravinda: "Going to Kataragama is not a custom of the rural folk. It is the middle class and wealthy urban people, not the villagers, who venerate the Kataragama god. He is the god of the urbanities. The villagers have now started to imitate the urban people."Chamari:"I thought even villagers used to go to Kataragama long ago."Aravinda: "No, It came from the rich urban Sinhalese of the towns who followed the rich Hindus.

මාර්ටින් වික්‍රමසිංහ, Yuganthaya
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We live in a global village, Neel, where billions of voices babble simultaneously, and in this village a new hierarchy is being established, a new caste-system is being created. Only this time, it is money that sets the tone. Whoever has the most money buys the biggest loudspeaker and is the neo-Brahmin of this new world order. If the ninety-year-old neo-Brahmin on the other side of the earth is terrified of antibiotic resistant flesh-eating bacteria, we must think twice before offering treatment to a twenty-four-year old here. These are the new rules of our global village.

Anirban Bose, The Death of Mitali Dotto
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The village lay in the hollow, and climbed, with very prosaic houses, the other side. Village architecture does not flourish in Scotland. The blue slates and the grey stone are sworn foes to the picturesque; and though I do not, for my own part, dislike the interior of an old-fashioned pewed and galleried church, with its little family settlements on all sides, the square box outside, with its bit of a spire like a handle to lift it by, is not an improvement to the landscape. Still, a cluster of houses on differing elevations - with scraps of garden coming in between, a hedgerow with clothes laid out to dry, the opening of a street with its rural sociability, the women at their doors, the slow waggon lumbering along - gives a centre to the landscape. It was cheerful to look at, and convenient in a hundred ways. ("The Open Door")

Mrs. Oliphant, The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies
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Old Deuteronomy's lived a long time;He's a Cat who has lived many lives in succession.He was famous in proverb and famous in rhymeA long while before Queen Victoria's accession.Old Deuteronomy's buried nine wivesAnd more – I am tempted to say, ninety-nine;And his numerous progeny prospers and thrivesAnd the village is proud of him in his decline.At the sight of that placid and bland physiognomy,When he sits in the sun on the vicarage wall,The Oldest Inhabitant croaks: "Well, of all … Things … Can it be … really! … No! … Yes! … Ho! hi!Oh, my eye!My mind may be wandering, but I confess I believe it is Old Deuteronomy!"Old Deuteronomy sits in the street,He sits in the High Street on market day;The bullocks may bellow, the sheep they may bleat,But the dogs and the herdsman will turn them away.The cars and the lorries run over the kerb,And the villagers put up a notice: ROAD CLOSED —So that nothing untoward may chance to disturbDeuteronomy's rest when he feels so disposedOr when he's engaged in domestic economy:And the Oldest Inhabitant croaks: "Well of all …Things … Can it be … really! … No! … Yes! …Ho! hi!Oh, my eye!My sight's unreliable, but I can guessThat the cause of the trouble is Old Deuteronomy!

T.S. Eliot, Old Possum's Book of Practical Cats
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A village explainer. Excellent if you were a village, but if you were not, not."(on Ezra Pound)

Gertrude Stein
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Greenwich Village... the village of low rents and high arts.

O. Henry, The Last Leaf
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Though the people of this modest village were not accustomed to seeing such barbaric men as Varg, it was his inhuman features that had the citizens of Fellenshire Village on edge. Not only was Varg's hair whiter than an old wise man's beard, but he was nearly six and a half feet tall and easily towered over the shaken folk of the village. His enormous stature alone would intimidate even the most hardened warriors, but with Varg's hair paired with his silver eyes, the people of this small town whispered that the devil himself may be walking amongst them.

Brittany Comeaux, The White Wolf
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Do you think God has a different purpose for every person,' Gisela asked, 'or is his purpose the same for everyone?'...'God wants us all to strive to grow more like Jesus, to become holy as he is holy, but God has a specific purpose for each person. How could it not be so? Everyone in a village cannot be a baker, because who would then make the candles or shoe the horses or grow the food? God says we are like a body. 'The eye cannot say to the hand, "I don't need you." And the head cannot say the feet, "I don't need you."''Does the Bible say that?''Oh, yes, and it says, "Now you are the body of Christ, and each one of you is part of it." Just as the villagers are part of a village and have different tasks, we all have tasks to do for the Lord God.

Melanie Dickerson, The Captive Maiden
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