Wes Quotes

“Sometimes it’s hard to know when to let go. It can be so personal…like the autumn leaf still hanging on the limb in the late October sky, Mother Nature sends a gust of wind to nudge it’s stem loose. For us we must listen for our own nudge from the inner soul. We must know…we will feel, it’s ok to let it be. *“Whispers words of wisdom let it be.” - Wes Adamson* “Let It Be” lyrics by Paul McCartney”

“Sometimes it’s hard to know when to let go. It can be so personal…like the autumn leaf still hanging on the limb in the late October sky, Mother Nature sends a gust of wind to nudge it’s stem loose. For us we must listen for our own nudge from the inner soul. We must know…we will feel, it’s ok to let it be. *“Whispers words of wisdom let it be.” - Wes Adamson* “Let It Be” lyrics by Paul McCartney”

“Isn't it weird," I said, "the way you remember things, when someone's gone?"What do you mean?"I ate another piece of waffle. "When my dad first died, all I could think about was that day. It's taken me so long to be able to think back to before that, to everything else."Wes was nodding before I even finished. "It's even worse when someone's sick for a long time," he said. "You forget they were ever healthy, ever okay. It's like there was never a time when you weren't waiting for something awful to happen."But there was," I said. "I mean, it's only been in the last few months that I've started remembering all this good stuff, funny stuff about my dad. I can't believe I ever forgot it in the first place."You didn't forget," Wes said, taking a sip of his water. "You just couldn't remember right then. But now you're ready to, so you can."I thought about this as I finished off my waffle.”

“Warm, enticing scents were floating down, basil and oregano and tomato. It made Wes long for something, something he couldn't place. A happy childhood, a home.”

“No.” Allie stood her ground. “I’ll not go in.““Me, neither.” Jason slid from his horse. “If Allie ain’t going in, I’m not going in.”Wes glanced skyward. How was it possible for his near mute wife to pick up an echo? After four years in the Army, leading men, and two years of pushing cattle to market, it took Allie to make Wes realize that a leader wasn’t a leader unless he had a follower.“All right, where would you like to sleep tonight?”

“This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony.This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.”

“Failing doesn't make us a failure. But not trying to do better, to be better, does make us fools.”

“I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.”

“Any romantic feelings for a 12-year-old are like entering into a fantasy world.”

“I guess when I think about it, one of the things I like to dramatise, and what is sometimes funny, is someone coming unglued. I don't consider myself someone who is making the argument that I support these choices. I just think it can be funny.”

“I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.”