“Was that what it meant to be alive - moving from a brightly lit corridor into a darkened room at every step? Sometimes it felt that way.”

“A successful song comes to sing itself inside the listener. It is cellular and seismic, a wave coalescing in the mind and in the flesh. There is a message outside and a message inside, and those messages are the same, like the pat and thud of two heartbeats, one within you, one surrounding. The message of the lullaby is that it’s okay to dim the eyes for a time, to lose sight of yourself as you sleep and as you grow: if you drift, it says, you’ll drift ashore: if you fall, you will fall into place.”

“Occasionally, in the stillness of a taxi or an airplane, she would catalog the pleasures she had lost. Cigarettes. Chewing gum. Strong mint toothpaste. Any food with hard edges or sharp corners that could pierce or abrade the inside of her mouth: potato chips, croutons, crunchy peanut butter. Any food that was more than infinitesimally, protozoically, spicy or tangy or salty or acidic: pesto or Worcestershire sauce, wasabi or anchovies, tomato juice or movie-theater popcorn. Certain pamphlets and magazines whose paper carried a caustic wafting chemical scent she could taste as she turned the pages. Perfume. Incense. Library books. Long hours of easy conversation. The ability to lick an envelope without worrying that the glue had irritated her mouth. The knowledge that if she heard a song she liked, she could sing along to it in all her dreadful jubilant tunelessness. The faith that if she bit her tongue, she would soon feel better rather than worse.”

“Dreaming was easier than screaming, and screaming was easier than worrying, and worrying was easier than crying, which was what she knew she would be reduced to if she didn’t keep a hard eye on herself.”

“The game had to be played the same way every day or the pieces would fall to the floor, the board would collapse, and the illusion that you were shaping your own life, that you were in control, would break.”

“For a long time that had seemed to her to be the key to life: Life--real life--was just a solitude waiting to be transfigured. If Phillip was with her, the solitude she needed would be shattered, and along with it whatever wondrous thing might have come her way if she had been alone.”

“Was that what it meant to be alive - moving from a brightly lit corridor into a darkened room at every step? Sometimes it felt that way.”

“You have a pet theory, one you have been turning over for years, that life itself is a kind of Rube Goldberg device, an extremely complicated machine designed to carry out the extremely simple task of constructing your soul.”

“Olivia had changed so much since then. She had changed in ways she would never have been able to anticipate. She had become the kind of person who was barely able to get out of bed in the morning without buckling beneath the tidal pull of the planets.”

“There was no one alive who did not contribute his share of mystery to the world.”

“But love doesn't always generate hope. Anyone who has ever experienced love knows that you can have too much love or too little. You can have love that parches, love that defeats. You can have love measured out in the wrong proportions. It's like your sunlight and water--the wrong kind of love is just as likely to stifle hope as it is to nourish it.”