“We cannot know what time will do to us with its fine, indistinguishable layers upon layers, we cannot know what it might make of us. It advances stealthily, day by day and hour by hour and step by poisoned step, never drawing attention to its surreptitious labours, so respectful and considerate that it never once gives us a sudden prod or a nasty fright. Every morning, it turns up with its soothing, invariable face and tells us exactly the opposite of what is actually happening: that everything is fine and nothing has changed, that everything is just as it was yesterday--the balance of power--that nothing has been gained and nothing lost, that our face is the same, as is our hair and our shape, that the person who hated us continues to hate us and the person who loved us continues to love us.”
“We cannot know what time will do to us with its fine, indistinguishable layers upon layers, we cannot know what it might make of us. It advances stealthily, day by day and hour by hour and step by poisoned step, never drawing attention to its surreptitious labours, so respectful and considerate that it never once gives us a sudden prod or a nasty fright. Every morning, it turns up with its soothing, invariable face and tells us exactly the opposite of what is actually happening: that everything is fine and nothing has changed, that everything is just as it was yesterday--the balance of power--that nothing has been gained and nothing lost, that our face is the same, as is our hair and our shape, that the person who hated us continues to hate us and the person who loved us continues to love us.”
Javier Marías
“For me that's the only way of understanding a particular term that everyone here bandies about quite happily, but which clearly can't be quite that straight forward because it doesn't exist in many languages, only in Italian and Spanish, as far as I know, but then again, I don't know that many languages. Perhaps in German too, although I can't be sure: el enamoramiento--the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, although not in English, but there are words that approximate that meaning ... We find a lot of people funny, people who amuse and charm us and inspire affection and even tenderness, or who please us, captivate us, and can even make us momentarily mad, we enjoy their body and their company or both those things, as is the case for me with you and as I've experienced before with other women, on other occasions, although only a few. Some become essential to us, the force of habit is very strong and ends up replacing or even supplanting almost everything else. It can supplant love, for example, but not that state of being in love, it's important to distinguish between the two things, they're easily confused, but they're not the same ... It's very rare to have a weakness, a genuine weakness for someone, and for that someone to provoke in us that feeling of weakness.”
Javier Marías, Los enamoramientos“We cannot know what time will do to us with its fine, indistinguishable layers upon layers, we cannot know what it might make of us. It advances stealthily, day by day and hour by hour and step by poisoned step, never drawing attention to its surreptitious labours, so respectful and considerate that it never once gives us a sudden prod or a nasty fright. Every morning, it turns up with its soothing, invariable face and tells us exactly the opposite of what is actually happening: that everything is fine and nothing has changed, that everything is just as it was yesterday--the balance of power--that nothing has been gained and nothing lost, that our face is the same, as is our hair and our shape, that the person who hated us continues to hate us and the person who loved us continues to love us.”
Javier Marías, Los enamoramientos“For me, it's a real shock to see American mainstream films. I can't see these films because it's always the same thing to me. This is very American. Violence is very American, and I can't understand these films. Why do they use violence? To show what? Masculinity? To show fear? Defense? What are you showing with all this violence?”
Javier Camara“I was emotionally and physically punched in the stomach. This is not a place where you go and deliver the lines and then you come back. It's kind of a life-changing experience. But it can't get better than this for any actor - this is like an opera.”
Javier Bardem“What I miss most about Mexico isn't the food or the customs it's my family and the way we'd all sit around chatting together.”
Javier Hernandez“There is no middle ground in Hollywood you're a failure or you're a success. That mentality is wild. ”
Javier Bardem“I do respect people's faith, but I don't respect their manipulation of that faith in order to create fear and control.”
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