“We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden in as if caves. I wish for all this to be marked on by body when I am dead. I believe in such cartography - to be marked by nature, not just to label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. We are not owned or monogamous in our taste or experience.”
“We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden in as if caves. I wish for all this to be marked on by body when I am dead. I believe in such cartography - to be marked by nature, not just to label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. We are not owned or monogamous in our taste or experience.”
Michael Ondaatje
“Because we want to know things, how the pieces fit. Talkers seduce, words direct us into corners. We want more than anything to grow and change. Brave new world.”
Michael Ondaatje, The English Patient“Everything that ever happened to me that was important happened in the desert.”
Michael Ondaatje, The English Patient“-I think you are inhuman. If I leave you, who will you go to? Would you find another lover?I said nothing.-Deny it,damn you!”
Michael Ondaatje, The English Patient“I went mad before he did, you killed everything in me. Kiss me,will you. Stop defending yourself.”
Michael Ondaatje, The English Patient“Here. Where I am anonymous and alone in a white room with no history and no parading. So I can make something unknown in the shape of this room. Where I am King of Corners. ”
Michael Ondaatje“Across the valley, a waterfall stumbles down. In a month or two the really hard rains will come down for eighteen hours a day and that waterfall will once again become tough as a glacier and wash away the road. But now it looks as delicate as the path of a white butterfly in a long-exposed photograph.”
Michael Ondaatje“Read him slowly, dear girl, you must read Kipling slowly. Watch carefully where the commas fall so you can discover the natural pauses. He is a writer who used pen and ink. He looked up from the page a lot, I believe, stared through his window and listened to birds, as most writers who are alone do. Some do not know the names of birds, though he did. Your eye is too quick and North American. Think about the speed of his pen. What an appalling, barnacled old first paragraph it is otherwise.”
Michael OndaatjeAll in One Creative & Marketing Platform to tell stories at scale
