. . . We love fog becauseit shifts old anomalies into the elementssurrounding them. It gives relief from a way of seeing

. . . We love fog becauseit shifts old anomalies into the elementssurrounding them. It gives relief from a way of seeing

Eavan Boland
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I didn't know how to weigh ideas about poetry. Nothing in the life I lived as a student - and later as wife and mother at the suburban edge of Dublin - suggested I had the wherewithal to do so. But I did have a unit of measurement. It was the measure of my own life.

Eavan Boland
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Poetry begins where language starts: in the shadows and accidents of one person's life.

Eavan Boland
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It is certainly true that writers take a stance at some variance from organized religion. This has not always been true. But since the romantic movement - and I'm referring now exclusively to poetry - the emphasis has been on the individual imagination defined against, rather than in terms of, any orthodoxy.

Eavan Boland
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The nineteenth century, especially the second half of it, was a time of restatement in Ireland. After the famine, after the failed rebellions of the Forties and Sixties, the cultural and political desires for self-determination began to shape each other in a series of riffs on independence and identity.

Eavan Boland
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. . . We love fog becauseit shifts old anomalies into the elementssurrounding them. It gives relief from a way of seeing

Eavan Boland, Domestic Violence: Poems
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