“We tell the stories we have to tell, stories of the things that draw us in-and why should any of us have more than a handful of those? The only work really worth doing-the only work you can do convincingly-is the work that focuses on the things you care about. To not focus on those issues is to deny the constants in your life.”

“We tell the stories we have to tell, stories of the things that draw us in-and why should any of us have more than a handful of those? The only work really worth doing-the only work you can do convincingly-is the work that focuses on the things you care about. To not focus on those issues is to deny the constants in your life.”

“We tell the stories we have to tell, stories of the things that draw us in-and why should any of us have more than a handful of those? The only work really worth doing-the only work you can do convincingly-is the work that focuses on the things you care about. To not focus on those issues is to deny the constants in your life.”

“Your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are.”

“Learn to work on your work.”

“For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.”

“The unfolding over time of a great idea is like the growth of a fractal crystal, allowing details and refinements to multiply endlessly — but only in ever-increasing scale.”

“To require perfection is to invite paralysis.”

“The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars.”

“Fears arise when you look back, and they arise when you look ahead. If you're prone to disaster fantasies, you may even find yourself caught in the middle, staring at your half-finished canvas and fearing both that you lack the ability to finish it, and that no one will understand it if you do.Fears arise when you look back, and they arise when you look ahead. If you're prone to disaster fantasies, you may even find yourself caught in the middle, staring at your half-finished canvas and fearing both that you lack the ability to finish it, and that no one will understand it if you do.To which the Master replied, 'What makes you think that ever changes?'That's why they're called Masters. When he raised David's discovery from an expression of self-doubt to a simple observation of reality, uncertainty became an asset. Lesson for the day: vision is always ahead of execution -- and it should be. Vision, Uncertainty, and Knowledge of Materials are inevitabilities that all artists must acknowledge and learn from: vision is always ahead of execution, knowledge of materials is your contact with reality, and uncertainty is a virtue.”

“There is no ready vocabulary to describe the ways in which artists become artists, no recognition that artists must learn to be who they are (even as they cannot help being who they are.) We have a language that reflects how we learn to paint, but not how we learn to paint our paintings. How do you describe the [reader to place words here] that changes when craft swells to art?"Artists come together with the clear knowledge that when all is said and done, they will return to their studio and practice art alone. Period. That simple truth may be the deepest bond we share. The message across time from the painted bison and the carved ivory seal speaks not of the differences between the makers of that art and ourselves, but of the similarities. Today these similarities lay hidden beneath urban complexity -- audience, critics, economics, trivia -- in a self-conscious world. Only in those moments when we are truly working on our own work do we recover the fundamental connection we share with all makers of art. The rest may be necessary, but it's not art. Your job is to draw a line from your art to your life that is straight and clear.”