“We went to places where we felt - like all lovers - that we were the first.We discovered the body of a lover has secrets that never end.We discovered that at times the same secrets reveal different truths.”

“We went to places where we felt - like all lovers - that we were the first.We discovered the body of a lover has secrets that never end.We discovered that at times the same secrets reveal different truths.”

“You are not the one you see in themirror. You are the one who isshining in the eyes of others”

“There was too much opinion in this country, too many sob stories. Nobody wanted to put a lid on anything; everyone wanted to say it all, about everything. If you as much as said hello to someone on a train or a plane, you were in for the unexpurgated memoirs. Nehru in 1947 had declared us a nation finding utterance - but in fifty years the utterance had become a mad clamour, a crazed babble, an unending howl. We were a nation of Scheherzades, afraid we'd die if, for a moment, we shut up. For myself, I'd mastered a face of steel, and an inscrutable nod. It did not always shut everyone up, but it did to some extent dam the ghastly flow.”

“In the winter of 1987 India was full of iskeems that had gone awry. Agricultural iskeems, political iskeems, economic iskeems, educational iskeems, stop black money iskeems, attract white tourists iskeems, drinkable water iskeems, animal protection iskeems, women's welfare iskeems, nurture children iskeems, don't scan female foetus iskeems, privatization iskeems, medical iskeems, entertainment iskeems, old India iskeems and new India iskeems.We had mastered the art of nomenclature from the white man.Grand labels could disguise unforgivable things.”

“We went to places where we felt - like all lovers - that we were the first.We discovered the body of a lover has secrets that never end.We discovered that at times the same secrets reveal different truths.”

“I was still madly in love with her when I left her but the desire had died, and not all the years of sharing and caring and discovering and journeying could keep me from fleeing.”

“Who can ever hold the essence of fire?Who can ever know the alchemy of desire?”

“It was here I learnt that corporate principles and military principles are basically the same. Insulation. Illusion. Hype. Activity.”

“The greatest book in the world, the Mahabharata, tells us we all have to live and die by our karmic cycle. Thus works the perfect reward-and-punishment, cause-and-effect, code of the universe. We live out in our present life what we wrote out in our last. But the great moral thriller also orders us to rage against karma and its despotic dictates. It teaches us to subvert it. To change it. It tells us we also write out our next lives as we live out our present.The Mahabharata is not a work of religious instruction.It is much greater. It is a work of art.It understands men will always fall in the shifting chasm between the tug of the moral and the lure of the immoral. It is in this shifting space of uncertitude that men become men. Not animals, not gods. It understands truth is relative. That it is defined by context and motive. It encourages the noblest of men - Yudhishtra, Arjuna, Lord Krishna himself - to lie, so that a greater truth may be served.It understands the world is powered by desire. And that desire is an unknowable thing. Desire conjures death, destruction, distress.But also creates love, beauty, art. It is our greatest undoing. And the only reason for all doing.And doing is life. Doing is karma.Thus it forgives even those who desire intemperately. It forgives Duryodhana. The man who desires without pause. The man who precipitates the war to end all wars. It grants him paradise and the admiration of the gods. In the desiring and the doing this most reviled of men fulfils the mandate of man. You must know the world before you are done with it. You must act on desire before you renounce it. There can be no merit in forgoing the not known.The greatest book in the world rescues volition from religion and gives it back to man.Religion is the disciplinarian fantasy of a schoolmaster.The Mahabharata is the joyous song of life of a maestro.In its tales within tales it takes religion for a spin and skins it inside out. Leaves it puzzling over its own poisoned follicles.It gives men the chance to be splendid. Doubt-ridden architects of some small part of their lives. Duryodhanas who can win even as they lose.”