“What happens slowly carries in each part the possibility of returning to what came before. In an accident everything is simultaneous, sudden, irreversible. It means this: no going back.”
Rachel Kushner“I’d been listening to men talk since I arrived in New York City. That’s what men like to do. Talk. Profess like experts. When one finally came along who didn’t say much, I listened.”
Rachel Kushner, The Flamethrowers“My dad had a Vincent Black Shadow, which was a quite particular thing: it was the fastest cycle of its era... It sparked a world for me; when I was old enough, I got a motorcycle.”
Rachel Kushner“Danzon is my favorite Cuban music, played by a traditional string orchestra with flute and piano. It's very formally structured but romantic music, which derives from the French-Haitian contradance.”
Rachel Kushner“These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.”
Rachel Kushner“Most go to prison not on account of their irreducible uniqueness as people but because they are part of a marginalized sector of the population who never had a chance, who were slated for it early on.”
Rachel Kushner“The Seventies seemed like this really open time. There were a lot of strong women characters deciding what kind of artists they wanted to be.”
Rachel Kushner“I don't believe that intelligence can be reduced to a number, frankly. But I can see how doing exactly that produces a useful sorting mechanism in our society in order to separate children into categories of promising and doomed. The tests seem arbitrary and without real scientific value and yet have lasting consequences.”
Rachel Kushner“I usually get up between 7 A.M. and 8 A.M., have coffee, and go right to work. It's really important not to get sidetracked in the morning so I'm still in that dreamy state for my writing.”
Rachel Kushner“Tone is somewhat totalising in that, once I locate it, it tells me what kind of syntax to use, what word choices to make, how much white space to leave on the page, what sentence length, what the rhythmic patterning will be. If I can't find the tone, I sometimes try narrating through the point of view of someone else.”
Rachel Kushner