“When my mother would tell me that she wanted me to have something because she as a child had never had it, I wanted, or I partly wanted, to give it back. All my life I continued to feel that bliss for me would have to imply my mother's deprivation or sacrifice. I don't think it would have occurred to her what a double emotion I felt. I could hardly bear my pleasure for the guilt. There is no wonder that a passion for independence sprang up in me at the earliest age. It took me a long time to manage the independence, (but) I have never managed to handle the guilt. In the act and the course of writing stories, these are the two springs, one bright, one dark, that feed the stream.”

“When my mother would tell me that she wanted me to have something because she as a child had never had it, I wanted, or I partly wanted, to give it back. All my life I continued to feel that bliss for me would have to imply my mother's deprivation or sacrifice. I don't think it would have occurred to her what a double emotion I felt. I could hardly bear my pleasure for the guilt. There is no wonder that a passion for independence sprang up in me at the earliest age. It took me a long time to manage the independence, (but) I have never managed to handle the guilt. In the act and the course of writing stories, these are the two springs, one bright, one dark, that feed the stream.”

“Fiction shows us the past as well as the present moment in mortal light; it is an art served by the indelibility of our memory, and one empowered by a sharp and prophetic awareness of what is ephemeral. It is by the ephemeral that our feeling is so strongly aroused for what endures, or strives to endure.”

“Great fiction shows us not how to conduct our behavior but how to feel. Eventually, it may show us how to face our feelings and face our actions and to have new inklings about what they mean. A good novel of any year can initiate us into our own new experience.”

“We do need to bring to our writing, over and over again, all the abundance we possess. To be able, to be ready, to enter into the minds and hearts of our own people, all of them, to comprehend them (us) and then to make characters and plots in stories that in honesty and with honesty reveal them (ourselves) to us, in whatever situation we live through in our own times: this is the continuing job, and it's no harder now than it ever was, I suppose. Every writer, like everybody else, thinks he's living through the crisis of the ages. To write honestly and with all our powers is the least we can do, and the most”

“Human life is fiction's only theme.”

“Both reading and writing are experiences--lifelong-- in the course of which we who encounter words used in certain ways are persuaded by them to be brought mind and heart within the presence, the power, of the imagination.”

“Henry James said there isn't any difference between "the English novel" and "the American novel" since there are only two kinds of novels at all, the good and the bad.”

“Art, though, is never the voice of a country; it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction; in particular, the novel.”

“For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.”

“I admire Eudora Welty. 'Delta Wedding' is a book I've given as a present to numerous women. Eudora Welty rocks. She writes such jewel-like, fine, refined short stories.”

“The fantasies of dying could be no stranger than the fantasies of living. Survival is perhaps the strangest fantasy of them all.”