“When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it?”

“When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it?”

“According to Joss [Whedon], “TV is a question, movies are an answer.”

“It was only when I got to college that I realized that the rest of the world didn't run the way my world was run, and that there was a need for feminism. I'd thought it was all solved. There are people like my mom, clearly everyone is equal and it's all fine. Then I get into the world and I hear the things people are saying. Then I get to Hollywood and hear the very casual, almost insidious misogyny that just runs through so much of the fiction. It was just staggering to me.”

“Whedon: Studios will tell you: A woman cannot headline an action movie. After The Hunger Games they might stop telling you that a little bit. Whatever you think of the movie, it’s done a great service. And after The Avengers, I think it’s changing.Johansson: A lot of the female superhero movies just suck really badly.Whedon: The suck factor is not small.Johansson: They are really not well made, and already you’re fighting against the tide. There are a couple [female-driven action movies] that have worked-ish, don’t you think?Hemsworth: Angelina Jolie tends to do it pretty well, as the dominant female.Jackson: They got to get The Pro to the screen!Whedon: [Groaning] See, that is the problem. Sam is the problem!Jackson: I love that book!Whedon: [Reluctantly] The Pro is hilarious.Jackson: The Pro’s hilarious. [To the group] You ever see or hear of it?Johansson: No, what’s The Pro?Jackson: It’s [a comic book] about a hooker who gets super powers!Johansson: [Pauses] That is exactly the problem right there.Whedon: That’s why I wasn’t going to bring up The Pro!(From an Entertainment Weekly interview)”

“Misogyny… is not a true part of the human condition. It is life out of balance and that imbalance is sucking something out of the soul of every man and woman who is confronted with it.”

“River Tam (Summer Glau): No power in the 'verse can stop me.”

“Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.”

“When Roseanne read the first script of mine that got into her hands without being edited by someone else she said, 'How can you write a middle-aged woman this well?' I said, 'If you met my mom you wouldn't ask'.”

“When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it?”

“Next year, Equality Now will celebrate - if that’s the word - will clock its twentieth year. Two decades of fighting the good fight, fighting the cause, and in case I haven’t been the clear, the cause is that one half of the human race is given the same basic equal rights that the other half enjoys.Or, not given. Given back.That is not a milestone, twenty years, that I intend to go unnoticed. I want to make some noise. I want to make a joyful noise, I want to make too much noise. I want the neighbors to complain. I’m tired of being polite about something that matters so much.”

“At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]”