“When the Chief Justice read me the oath,' he [FDR] later told an adviser, 'and came to the words "support the Constitution of the United States" I felt like saying: "Yes, but it's the Constitution as I understand it, flexible enough to meet any new problem of democracy--not the kind of Constitution your Court has raised up as a barrier to progress and democracy.”

“When the Chief Justice read me the oath,' he [FDR] later told an adviser, 'and came to the words "support the Constitution of the United States" I felt like saying: "Yes, but it's the Constitution as I understand it, flexible enough to meet any new problem of democracy--not the kind of Constitution your Court has raised up as a barrier to progress and democracy.”

“When the Chief Justice read me the oath,' he [FDR] later told an adviser, 'and came to the words "support the Constitution of the United States" I felt like saying: "Yes, but it's the Constitution as I understand it, flexible enough to meet any new problem of democracy--not the kind of Constitution your Court has raised up as a barrier to progress and democracy.”

“In the final scene of Power, the Supreme Court justices appear as a striking abstraction: Nine scowling masks line up in a row on top of a giant podium. Chief Justice Charles Evans Hughes speaks the majority opinion: 'Water power, the right to convert it into electric energy, and the electric energy thus produced constitute property belonging to the United States.”

“It is the very essence of art,' she [Hallie Flanagan:] told a group gathered in Washington . . ., 'that it exceed bounds, often including those of tradition, decorum, and that mysterious thing called taste. It is the essence of art that it shatter accepted patterns, advance into unknown territory, challenge the existing order. Art is highly explosive. To be worth its salt it must have in that salt a fair sprinkling of gunpowder.”