“Who can know when his world is going to change? . . . Who would suspect that in the morning a different child would wake? . . . Perhaps I should have at least known something, but maybe not; who can sense revelation in the wind?What happened was just this: I got hooked on the story.For the first time in my life, I became actively interested in a book. Me the sports fanatic, me the game freak, me the only ten-year-old in Illinois with a hate on for the alphabet wanted to know what happened next.”

“Who can know when his world is going to change? . . . Who would suspect that in the morning a different child would wake? . . . Perhaps I should have at least known something, but maybe not; who can sense revelation in the wind?What happened was just this: I got hooked on the story.For the first time in my life, I became actively interested in a book. Me the sports fanatic, me the game freak, me the only ten-year-old in Illinois with a hate on for the alphabet wanted to know what happened next.”

“You don't want to be rude but you have to be careful - there are a lot of strange people out there.(Goldman attributes this quote to Cliff Robertson.)”

“I must be overtired', Buttercup managed. 'The excitement and all.''Rest then', her mother cautioned. 'Terrible things can happen when you're overtired. I was overtired the night your father proposed.”

“The hollowness was in his arms and the world was snowing.”

“The Princess BrideS. Morgenstern'sClassic Tale of True Loveand High AdventureYou had to admire a guy who called his own new book a classic before it was published and anyone had a chance to read it.”

“Life is pain, highness. Anyone who says differently is selling something.”

“Her heart was a secret garden and the walls were very high.”

“Funny thing- Morgenstern's folk's were named Max and Valerie and his father was a doctor.”

“Screenplays are structure, and that’s all they are. The quality of writing—which is crucial in almost every other form of literature—is not what makes a screenplay work. Structure isn’t anything else but telling the story, starting as late as possible, starting each scene as late as possible. You don’t want to begin with “Once upon a time,” because the audience gets antsy.”

“Love is many things, none of them logical.”

“Give the reader what they want, just not the way they expect it.”