“[With comedy and wanting to make people laugh,] when you're a child, all you want is ANY kind of laugh. You get them to laugh, and great! - you've succeeded. And then it's "How FAST can I get them to laugh?" "How LONG can I get them to laugh?", "How HARD can I get them to laugh?". And then it becomes: "Can I laugh at something that makes them uncomfortable?", "Can I get them to laugh at something that challenges their beliefs?”

“It's funny, I can sit through the worst horror film ever made but even a quite good romantic comedy can drive me nuts.”

“I'm equally guilty of using technology - I Twitter, I text people, I chat. But I think there's something strangely insidious about it that it makes us think we're closer when in fact we're not seeing each other, we're not connecting.”

“Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?”

“Well, Toronto, I consider to be the birthplace of my films. I've made three films and this is the third one to premiere here in the same theater on the same day at the same time - they are my audience. They're the people that I think about while I'm writing, directing, and editing. I specifically make movies for them.”

“I hate movies that tell people what to think. I'm proud that Democrats thought 'Thank You For Smoking' was their film and Republicans thought it was theirs. I'm proud that pro-choice people thought 'Juno' was their film and pro-life people thought it was theirs.”

“Filmmaking is a completely imperfect art form that takes years and, over those years, the movie tells you what it is. Mistakes happen, accidents happen and true great films are the results of those mistakes and the decisions that those directors make during those moments.”

“I hear the way people talk about the children of famous people. They're not treated very well. The presumptions are usually quite awful. So I tried to establish myself with a couple of movies. After 'Juno' I thought: 'I think I've defined myself enough as my own director that I'd love to work with my father.'”

“[With comedy and wanting to make people laugh,] when you're a child, all you want is ANY kind of laugh. You get them to laugh, and great! - you've succeeded. And then it's "How FAST can I get them to laugh?" "How LONG can I get them to laugh?", "How HARD can I get them to laugh?". And then it becomes: "Can I laugh at something that makes them uncomfortable?", "Can I get them to laugh at something that challenges their beliefs?”