“You can have all the information on culture in the world–’ Pix continues.'We don’t possess all the information on culture, just three thousand, five hundred and thirty-four petabytes of data on human culture,’ I correct.Pix smiles and finishes, ’…But unless the words become a part of you, you never really understand, do you?”

“You can have all the information on culture in the world–’ Pix continues.'We don’t possess all the information on culture, just three thousand, five hundred and thirty-four petabytes of data on human culture,’ I correct.Pix smiles and finishes, ’…But unless the words become a part of you, you never really understand, do you?”

“You can have all the information on culture in the world–’ Pix continues.'We don’t possess all the information on culture, just three thousand, five hundred and thirty-four petabytes of data on human culture,’ I correct.Pix smiles and finishes, ’…But unless the words become a part of you, you never really understand, do you?”

“The colour of the magpie, her father was saying, was symbolic of creation. The void, the mystery of that which had not yet taken form. Black and white, he said. Presence and absence.”

“The lounge of the private terminal in Delhi. A place of beige leather sofas and cappuccinos, set deep in that world where a seeling modernity has yet to close over the land, and where in the empty spaces that lie between the elevated roads and the coloured glass buildings there are still, like insects taking shelter under the veined roof of a leaf, the encampments of families who built them. Black pigs still thread their way through the weeds, there are still patient lorry-loads of labourers, waiting among the dazzle of the new cars, for the lights to change. One India, dwarfed and stunted, adheres like a watchful undergrowth to another India which, in very physical ways, as with the roads that fly up out of the pale land, or the chunks of monorail that rise up from the ground like the remnants of an ancient wall, or the blank closed faces of the glass buildings, wishes to shrug off its poorer opposite: to leave it behind; to shut it out; to soar over it. One man, above all, captures the mood of this time: the security guard. In him, this man of expectation – a man not rich himself, but standing guard at the doorway to a world of riches – it is possible to feel the boredom and restlessness of a world that inspires ambition, but cannot answer it. Skanda watches him watching the lounge, with eyes glazed and yellowing from undernourishment. A favourite phrase from college returns: Quis custodiet ipsos custodes?”