“You do not keep the audience's interest by giving it information, but by withholding information ....”
Robert McKee“Classical design is a mirror of the human mind. It's how we see the world.”
Robert McKee“Curiosity is the intellectual need to answer questions and close open patterns. Story plays to this universal desire by doing the opposite, posing questions and opening situations.”
Robert McKee“Write every day, line by line, page by page, hour by hour. Do this despite fear. For above all else, beyond imagination and skill, what the world asks of you is courage, courage to risk rejection, ridicule and failure. As you follow the quest for stories told with meaning and beauty, study thoughtfully but write boldly. Then, like the hero of the fable, your dance will dazzle the world.”
Robert McKee“What happens is fact, not truth. Truth is what we think about what happens.”
Robert McKee“Anxious, inexperienced writers obey rules. Rebellious, unschooled writers break rules. Artists master the form.”
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting“In comedy laughter settles all arguments.”
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting“You do not keep the audience's interest by giving it information, but by withholding information ....”
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting“Nothing moves forward in a story except through conflict. Writers who cannot grasp this truth, the truth of conflict, writers who have been misled by the counterfeit comforts of modern life into believing that life is easy once you know how to play the game. These writers give conflict a false inflection. The scripts they write fail for one of two reasons, either a glut of banal conflict or a lack of meaningful conflict. The former are exercises in turbo special effects written by those who follow textbook imperatives to create conflict but because they're disinterested in or insensitive to the honest struggles of life, devise overwrought excuses for mayhem. The latter are tedious portraits written in reaction against conflict itself, these writers take the pollyanna view, that life would really be nice if it weren't for conflict. What writers at these extremes fail to realize is that while the quality of conflict in life changes as it shifts from level to level, the quantity of conflict is constant. When we remove conflict from one level of life, it amplifies ten times over on another level. When, for example, we don't have to work from dawn to dark to put bread on the table, we now have time to reflect on the great conflict within our mind and heart or we may become aware of the terrible tyrannies and suffering in the world at large. As Jean-Paul Sartre expressed it, "The essence of reality is scarcity. There isn't enough love in the world, enough food, enough justice, enough time in life. To gain any sense of satisfaction in our life we must go in to heady conflict with the forces of scarcity. To be alive is to be in perpetual conflict at one or all three levels of our lives.”
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting“Given the choice between trivial material brilliantly told versus profound material badly told, an audience will always choose the trivial told brilliantly.”
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting“We realize we can't go around saying and doing what we're actually thinking and feeling. If we all did that, life would be a lunatic asylum. Indeed, that's how you know you're talking to a lunatic. Lunatics are those poor souls who have lost their inner communication and so they allow themselves to say and do exactly what they are thinking and feeling and that's why they're mad.”
Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting