You spill a lot of beans in historical fiction. Crime fiction is about spilling no beans at all. You spill the least beans you possibly can. So because I had already written historical fiction before I was really good at the spilling beans section, but the new skill I had to learn when I was writing Brighton Belle was difficult. I had to avoid the equivalent of shouting, "this character's a murderer! Look who did it!.

You spill a lot of beans in historical fiction. Crime fiction is about spilling no beans at all. You spill the least beans you possibly can. So because I had already written historical fiction before I was really good at the spilling beans section, but the new skill I had to learn when I was writing Brighton Belle was difficult. I had to avoid the equivalent of shouting, "this character's a murderer! Look who did it!.

Sara Sheridan
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The library is a symbol of freedom.

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You've got to make an effort to get the details right, because even through someone picks it up and knows it's a novel, they know someone's made it up and they know it's not real, if you make a small mistake they will cease to imaginatively engage with the story.

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The best historical stories capture the modern imagination because they are, in many senses, still current - part of a continuum.

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You spill a lot of beans in historical fiction. Crime fiction is about spilling no beans at all. You spill the least beans you possibly can. So because I had already written historical fiction before I was really good at the spilling beans section, but the new skill I had to learn when I was writing Brighton Belle was difficult. I had to avoid the equivalent of shouting, "this character's a murderer! Look who did it!.

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I am a storyteller, not a historian, and it's my ambition to create something compelling - something unputdownable and riveting - that chimes with the real history but is, in fact, fiction.

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We are in the middle of the biggest revolution in reading and writing since the advent of the Gutenberg press.

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I've always had a keen sense of history. My father was an antiques dealer and he used to bring home boxes full of treasures, and each item always had a tale attached.

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Mirabelle was always an enigma, and he had the sense that if he pushed her, she’d bolt.

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Covert operations relied on the unguarded slip, the unconscious choosing of one word over another.

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Reticence was clearly a national characteristic, even if the other person spoke French.

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