“You were correct, for all men have within them both that which is dark and that which is light. A man is a thing of many divisions, not a pure, clear flame such as you once were. His intellect often wars with his emotions, his will with his desires . . . his ideals are at odds with his environment, and if he follows them, he knows keenly the loss of that which was old, but if he does not follow them, he feels the pain of having forsaken a new and noble dream. Whatever he does represents both a gain and a loss, an arrival and a departure. Always he mourns that which is gone and fears some part of that which is new. Reason opposes tradition. Emotions oppose the restrictions his fellow men lay upon him. Always, from the friction of these things, there arises the thing you called the curse of man and mocked; guilt!”

“You were correct, for all men have within them both that which is dark and that which is light. A man is a thing of many divisions, not a pure, clear flame such as you once were. His intellect often wars with his emotions, his will with his desires . . . his ideals are at odds with his environment, and if he follows them, he knows keenly the loss of that which was old, but if he does not follow them, he feels the pain of having forsaken a new and noble dream. Whatever he does represents both a gain and a loss, an arrival and a departure. Always he mourns that which is gone and fears some part of that which is new. Reason opposes tradition. Emotions oppose the restrictions his fellow men lay upon him. Always, from the friction of these things, there arises the thing you called the curse of man and mocked; guilt!”

“Good evening, Lord Corwin,' said the lean, cadaverous figure who rested against a storage rack, smoking his pipe, grinning around it.Good evening, Roger. How are things in the nether world?'A rat, a bat, a spider. Nothing much else astir. Peaceful.'You enjoy this duty?'He nodded.I am writing a philosophical romance shot through with elements of horror and morbidity. I work on those parts down here.”

“If someone asks you why you're oppressing a world and you reply with a lot of poetic crap, no. I guess there can't be a meeting of minds.”

“I have no objection to the expression of political opinions in SF if they are an integral part of the story structure. I don't at all appreciate their intrusion for the purpose of converting a story into a political tract, because I consider that intellectually insulting.”

“Years have passed, I suppose. I'm not really counting them anymore. But I think of this thing often: Perhaps there is a Golden Age someplace, a Renaissance for me sometime, a special time somewhere, somewhere but a ticket, a visa, a diary-page away. I don't know where or when. Who does? Where are all the rains of yesterday?In the invisible city?Inside me?It is cold and quiet outside and the horizon is infinity. There is no sense of movement.There is no moon, and the stars are very bright, like broken diamonds, all.”

“Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place.Trust your demon.”

“It is anticipation and recollection that fill the heart—never the sensation of the moment.”

“The day of battle dawned pink as the fresh-bitten thigh of a maiden.”

“It was my turn to be silent while a small family of moments crossed my path, single file, from the left, sticking their tongues out at me.”

“Good-bye and hello, as always.”

“Then the one called Raltariki is really a demon?" asked Tak."Yes—and no," said Yama, "If by 'demon' you mean a malefic, supernatural creature, possessed of great powers, life span and the ability to temporarily assume virtually any shape—then the answer is no. This is the generally accepted definition, but it is untrue in one respect.""Oh? And what may that be?""It is not a supernatural creature.""But it is all those other things?""Yes.""Then I fail to see what difference it makes whether it be supernatural or not—so long as it is malefic, possesses great powers and life span and has the ability to change its shape at will.""Ah, but it makes a great deal of difference, you see. It is the difference between the unknown and the unknowable, between science and fantasy—it is a matter of essence. The four points of the compass be logic, knowledge, wisdom and the unknown. Some do bow in that final direction. Others advance upon it. To bow before the one is to lose sight of the three. I may submit to the unknown, but never to the unknowable.”