“Your gravity, your grace have turned a tideIn me, no lunar power can reverse;But in your narcoleptic eyes I spiedA sightlessness tonight: or something worse,A disregard that made me feel unmanned.Meanwhile, insomniac, I catch my breathTo think I saw my future traced in sandOne afternoon "as still, as carved, as death,”And pray for an oblivion so deepIt ends in transformation. Only dawnCan save me, flood this haunted house of sleepWith light, and drown the thoughts that nightly warn:Another lifetime is the least you’ll need, to traceThe guarded secrets of her gravity, her grace.”
Jonathan Coe“Your gravity, your grace have turned a tideIn me, no lunar power can reverse;But in your narcoleptic eyes I spiedA sightlessness tonight: or something worse,A disregard that made me feel unmanned.Meanwhile, insomniac, I catch my breathTo think I saw my future traced in sandOne afternoon "as still, as carved, as death,”And pray for an oblivion so deepIt ends in transformation. Only dawnCan save me, flood this haunted house of sleepWith light, and drown the thoughts that nightly warn:Another lifetime is the least you’ll need, to traceThe guarded secrets of her gravity, her grace.”
Jonathan Coe, The House of Sleep“Take It and Like It”
Jonathan Coe“Hey - Duggie! Duggie! Duggie!" He came running up to me, sparkler in hand. I felt like sticking one on him, the cheeky bastard. Nobody called me Duggie.He held the sparkler up in front of my face and said, "Wait. Wait."I was already waiting. What else was there to do?"Here you are," he said. "Look! What's this?"At that precise moment, his sparkler fizzled out. I didn't say anything, so he supplied the answer himself. "The death of the socialist dream," he said.He giggled like a little maniac, and stared at me for a second or two before running off, and in that time I saw exactly the same thing I'd seen in Stubbs's eyes the day before. The same triumphalism, the same excitement, not because something new was being created, but because something was being destroyed. I thought about Phillip and his stupid rock symphony and I swear that my eyes pricked with tears. This ludicrous attempt to squeeze the history of the countless millennia into half an hour's worth of crappy riffs and chord changes suddenly seemed no more Quixotic than all the things my dad and his colleagues had been working towards for so long. A national health service, free to everyone who needed it. Redistribution of wealth through taxation. Equality of opportunity. Beautiful ideas, Dad, noble aspirations, just as there was the kernel of something beautiful in Philip's musical hodge-podge. But it was never going to happen. If there had ever been a time when it might have happened, that time was slipping away. The moment had passed. Goodbye to all that.Easy to be clever with hindsight, I know, but I was right, wasn't I? Look back on that night from the perspective of now, the closing weeks of the closing century of our second millennium - if the calendar of some esoteric and fast-disappearing religious sect counts for anything any more - and you have to admit that I was right. And so was Benjamin's brother, the little bastard, with his sparkler and his horrible grin and that nasty gleam of incipient victory in his twelve-year-old eyes. Goodbye to all that, he was saying. He'd worked it out already. He knew what the future held in store.”
Jonathan Coe, The Rotters' Club