“You're from the future, Mr Netherton?""Not exactly," he said. "I'm in the future that would result from my not being here. But since I am, it isn't your future. Here.”
William Gibson“His smile was the nightmare in my back pocket.(Speaking about Ronald Reagan)”
William Gibson“Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed countless times, and its meaning is really taking place in the resulting interstices. The actual art of the piece, in other words, and your enjoyment of it, is taking place in the cracks, and the shape of the slab is coincidental and ultimately meaningless.”
William Gibson“The future has already arrived. It's just not evenly distributed yet.”
William Gibson“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts.”
William Gibson“It's impossible to move, to live, to operate at any level without leaving traces, bits, seemingly meaningless fragments of personal information.”
William Gibson“I like the idea of people who've had some success in one form secretly wanting to be something else; I have some of that myself. I look for it in other people who've established themselves in some particular art form, and then you find out that they really would like to design running shoes, or edit literary magazines or something.”
William Gibson“I would like to design what people generally call streetwear. I'd like to dress skateboarders, or whatever the older equivalent of skateboarders are. I pay more attention to that stuff than anyone would ever imagine because I'm watching what the designers do.”
William Gibson“The box was a universe, a poem, frozen on the boundaries of human experience.”
William Gibson“I'm quite proud of what I anticipated about reality television from my books in the early '90s, which I based on the early seasons of 'Cops' and on the amazing stuff I had read about happening on Japanese shows and the British 'Big Brother'.”
William Gibson