“A page of a book is like a human face. Look at a page by Hemingway and compare it with Sterne and Marcel Proust. They are different typographical beings. But force upon them those ragged edges, and the influence of the author’s style on the physical aspect of the page, their typographical physiognomy will disappear. No, unjustified setting is a sort of gleichschaltung [enforced conformity] through diversity, a very phoney diversity. Produced methodically by chance. For the comfort of the keyboard, and not for the comfort of the eye.”
“A page of a book is like a human face. Look at a page by Hemingway and compare it with Sterne and Marcel Proust. They are different typographical beings. But force upon them those ragged edges, and the influence of the author’s style on the physical aspect of the page, their typographical physiognomy will disappear. No, unjustified setting is a sort of gleichschaltung [enforced conformity] through diversity, a very phoney diversity. Produced methodically by chance. For the comfort of the keyboard, and not for the comfort of the eye.”
Stefan Themerson
“A page of a book is like a human face. Look at a page by Hemingway and compare it with Sterne and Marcel Proust. They are different typographical beings. But force upon them those ragged edges, and the influence of the author’s style on the physical aspect of the page, their typographical physiognomy will disappear. No, unjustified setting is a sort of gleichschaltung [enforced conformity] through diversity, a very phoney diversity. Produced methodically by chance. For the comfort of the keyboard, and not for the comfort of the eye.”
Stefan ThemersonAll in One Creative & Marketing Platform to tell stories at scale
